Sabotage

Sabotage - Dir. David Ayer (2014)

Arnold Schwarzenegger hasn't exactly had the best of luck since making his return to feature films. His starring roles in The Last Stand and Escape Plan didn't light up the box office. In fact, Last Stand seemed to disappear from theaters almost as soon as it arrived. That's a shame because it was a fun, little action movie, which is more than could be said for Sabotage, an ensemble piece from director David Ayer. Ayer has been known for shining a gritty spotlight on law enforcement with films like Training Day, Harsh Times, Street Kings, and End of Watch. This time, he turns his attention from the LAPD to the Drug Enforcement Agency.

Arnold stars as John "Breacher" Wharton, a head of an elite team of DEA agents. Wharton became known for bringing down the infamous leader of a Mexican drug cartel. However, in revenge, the cartel had Breacher's wife and son tortured to death. Breacher's team consists of a bunch of foul-mouthed, hard-drinking agents with nicknames that make them sound like G.I. Joes. There's Smoke (Mark Schlegel), Tripod (Kevin Vance), Pyro (Max Martini), Sugar (Terrence Howard), Grinder (Joe Manganiello), Neck (Josh Holloway), Monster (Sam Worthington), and his wife Lizzy (Mireille Enos).

During a raid on a cartel safe house, Breacher and his team steal $10 million and stash it down a sewer pipe. But, when they come back for it, the cash is gone. The unit spends the next several months on the sidelines while under investigation. Just as they are reinstated, someone begins murdering the agents one by one in gruesome manner. Is the cartel looking for revenge or is the killer someone within?

Arnold should be commended for stepping slightly out of his comfort zone. He's not the invincible hero we've seen him play countless times before. There's weariness to his character, one who is burdened by his almost mythical reputation, which could be seen as a meta-comment on his real life. The rippling muscles are gone, but the size and bulk are still there as Arnold resembles a weathered human bulldozer. Breacher is the darkest character Arnold has played and he's in perfect company. None of the protagonists are very sympathetic. In fact, they're all scumbags. They drink, curse, and don't seem to value life. Thus, we're hardly invested in the half-hearted, Agatha Christie murder mystery at the heart of the film.

The screenplay by Ayer and Skip Woods (who brought us Swordfish and A Good Day To Die Hard) seems more preoccupied with gruesome deaths than with creating any compelling characters. We see a man nailed to the ceiling with guts and blood spilled all over the floor, but no logical explanation as to how the killer got from point A to point B. A climactic car chase is nothing short of gratuitous when it turns into a scene from Grand Theft Auto as innocent bystanders are splattered across a windshield. The movie was previously titled Breacher and Ten, but the studio eventually settled on the generic sounding Sabotage, despite there being no examples of actual sabotage in the story.

Actors like Harold Perrineau and Josh Holloway are in so few scenes that you wonder why they bothered to show up at all. Sam Worthington has fallen far from Pandora. Not only is he barely in the movie, he's also barely recognizable with his shaved head and braided goatee. He and co-star Joe Manganiello look like they were trying out for Sons of Anarchy and took a wrong turn. The best performance in Sabotage belongs to Mireille Enos whose Lizzy is a hot mess, drug-addled due to her extensive undercover work. She's the sole woman on the team and plays it fierce as a way to overcompensate amidst the ocean of testosterone. She's hardly a glowing example of a strong female character and neither is Olivia Williams as an FBI agent assigned to the murders. Her character leaps into bed with Breacher in a wholly superfluous scene. Williams is a fine British actress, but her attempts at a Southern drawl yield embarrassing results.

Even the most ardent aficionado of Arnold actioners will have a hard time finding anything redeeming in Sabotage.

Rating: * (*****)

The Expendables 3

The Expendables 3 - Dir. Patrick Hughes (2014)

Menahem Golan passed away on August 8^th at the age of 85. Most of you might not know his name, but you definitely know his work. Golan directed The Delta Force with Chuck Norris and Over the Top with Sylvester Stallone. Golan was better known as a prolific producer who took over Cannon Films in 1979 with his cousin Yoram Globus. Together, they churned out  movies like Missing in Action, Death Wish II through Death Wish 4, American Ninja, Masters of the Universe, and Superman IV: The Quest for Peace. Sure, they weren't classics, but their output became synonymous with the 80's action era.

Stallone has found a way to keep that genre on life support with The Expendables series. Each film sees Stallone assemble an all-star cast of action heroes for two hours of explosions, mayhem, and bloodshed. These movies are heavy on testosterone, but the scripts are light on plot, characterization, and wit. Still, the franchise has kept afloat as we now get set for The Expendables 3.

Barney Ross (Stallone) and his team of Lee Christmas (Jason Statham), Hale Caesar (Terry Crews), Gunner Jensen (Dolph Lundgren), and Toll Road (Randy Couture) are dropped into some anonymous Eastern European country. In a wild opener, the team rescues Doctor Death (Wesley Snipes), a founding member of the Expendables who has been imprisoned for years after a failed assassination attempt. Doc proceeds to hijack a transport train and crash it into the prison, likely killing hundreds of guards and inmates, just to get revenge on the sadistic warden. There's no rest for the wicked as Ross and company are tasked with taking out a notorious arms dealer, who is revealed to be Conrad Stonebanks (Mel Gibson), another founding member. Stonebanks was seemingly killed by Ross after turning to the dark side.

The Expendables barely escape with Hale Caesar suffering life threatening injuries. Not wanting to see anymore of his comrades dead, Ross puts together an all-new team with of fresh faces. Meet Smilee (Kellan Lutz), Mars (Victor Ortiz), Thorn (Glen Powell), and Luna (Ronda Rousey).

The Expendables has largely traded on nostalgia. In particular, the sequel featured the novelty of Jean-Claude Van Damme as a Euro-trash villain and the trifecta of Bruce Willis, Arnold Schwarzenegger, and Stallone sharing the screen and mowing down wave after wave of faceless henchmen. Sadly, Expendables 3 seems to have forgotten about the elements that make the whole endeavor work. Yes, Stallone has added several notable names to the roster, but they aren't expected stars like Steven Seagal or Jackie Chan. Wesley Snipes makes his return to the screen and he's clearly enjoying the opportunity. There's a meta-moment when Snipes jokes that he was serving time for tax evasion. He's got great charisma as does Antonio Banderas as the loquacious Galgo, who is overly eager to join up with the Expendables.

When Willis split over a disagreement in pay, Harrison Ford stepped in as the new CIA handler Max Drummer. Ford is at crotchety level 11, growling and snarling every piece of dialogue. However, he's still Harrison Ford and the best one-liners they can come up with is, "That's gotta hurt." Chalk that up to a screenplay by Stallone and the team of Creighton Rothenberger & Katrin Benedikt, who also penned Olympus Has Fallen. Mel Gibson finds himself in the same boat. He chews the scenery whenever he gets the chance as the villain, who's not as cartoonish as Luther Voz in Machete Kills.

One nice surprise is Kelsey Grammer, an actor not exactly known for action roles. But, it's been the summer of Frasier with Grammer also appearing in X-Men: Days of Future Past and Transformers: Age of Extinction. Grammer plays Bonaparte, a facilitator that assists Ross in recruiting young blood.

Therein lays the primary problem with The Expendables 3. People came to see the big stars, not a bunch of newbies. Expendables: The Next Generation barely has the chance to develop any sort of personality other than one is a tech expert and one is a woman. Speaking of which, UFC's Ronda Rousey is a welcome change for this overwhelming sausage party, but she gives wooden line readings for the few bits of dialogue she's given. Stick with punching dudes in the face. Kellan Lutz plays a down-and-out soldier with an anti-authority issue, which never gets brought up again. The whole idea of bringing them in makes no sense. Barney Ross doesn't want his friends to die, but has no problem getting people he just met killed? And the more time we spend with them, the less we do with actors that are actually interesting.

After the slam-bang prologue, the movie lulls into a slumber as it introduces the new characters and puts them into danger so the old guard can come to their rescue. At over 2 hours long, the third installment is the lengthiest off the trilogy and there was just no need for those additional twenty minutes. The movie doesn’t pick up until the third act when Expendables of all ages join forces to battle Stonebanks and the entire army of a fictional Slavic country. Since this is PG-13, limbs aren't chopped off and human bodies aren't blown to bits. Just because Expendables 3 isn't R-rated, doesn't meant the body count has lessened. Hundreds of soldiers are gunned down, blown up by grenades, or impaled by throwing knives. Almost everyone gets their own moment to shine, from Rousey using MMA moves to snap limbs to Lutz pulling a Steve McQueen by jumping a motorcycle. Ford busts out his piloting skills by flying a chopper into the combat zone with Arnold and Jet Li riding shotgun. By the way, Jet Li pops up for about five minutes and all he does is fire a machine gun, despite being one of the greatest martial arts stars in movie history. And while Arnold doesn't bust out another "I'll be back," he does reprise his famous line from Predator, "Get to da choppa!"

Stallone and Schwarzenegger share a quiet scene in which the two contemplate retiring from the gun-for-hire business. You could also take it as commentary on their acting careers. Neither man has lit up the box office the way they did back in the 80's. They aren't slow down either with Stallone set for Rambo V and Arnold working on Terminator: Genesys and Legend of Conan. They might not be ready to hang up their combat boots, but maybe it's time to put The Expendables out to pasture if this is the best they can do.

Rating: * ½ (*****)

Escape Plan

Escape Plan - Dir. Mikael Hafstrom (2013)

"You hit like a vegetarian."

Stallone. Schwarzenegger. Two of the biggest action heroes in movie history with a combined body count well into the triple digits. Fans have always wanted to see them fight side by side, except the right project never came about. Sure, there's The Expendables, but Arnold's appearances were brief and they had to share the screen with a bunch of other red blooded action stars. Escape Plan is the first proper team-up for Stallone and Schwarzenegger though sometimes it feels like a film 20 years too late.

Stallone is Ray Breslin, a specialist who has spent decades breaking out of maximum security prisons to test their fallibilities. Breslin and his shifty partner (Vincent D'Onofrio) accept a $5 million payday from a CIA agent to test the security for a black bag prison housing criminals no country wants to house. The location is top secret so Breslin won't be able to receive outside help from his associates (Amy Ryan & Curtis "50 Cent" Jackson), who are uneasy about the whole deal. He should have listened because somebody paid a lot of money to keep him locked away for good.

Breslin is dropped into the Tomb and left at the mercy of the ruthless Warden Hobbs (Jim Caviezel), who has used Breslin's own work to shore up the Tomb's defense. Breslin finds an unlikely ally in fellow prisoner Emil Rottmayer (Schwarzenegger), the right-hand man for a mysterious boss named Mannheim, who holds the key to dismantling the European banking industry.

Escape Plan has the undeniable scent of an 80's actioner right out of the Cannon playbook. It has no desire to be anything more than unsophisticated B-movie fun. The story itself is riddled with plot holes. Never mind that Breslin's MacGyver-esque methods of escaping from prison are so convoluted that nobody else could ever possibly think of them, let alone threaten prison security. These issues will hardly cross your mind until after the film has ended because of the sheer screen presence of Stallone and Schwarzenegger. They may be decades past their prime and the banter doesn't have the same zing as it used to, but it's still a joy to see them sharing scenes. The audience cheered wildly when the former Terminator armed himself with a heavy machine gun. Jim Caviezel is suitably cartoonish as a warden so vicious, he hires Vinnie Jones as his head guard. He starts by doing the low-key, minimalist performance as seen on Person of Interest and then turns the dial up past 11 when he has to. Sam Neill and Amy Ryan are absolutely wasted in the throwaway roles of the weary prison doctor and Breslin's right-hand woman, respectively. Finally, the less said about Curtis "50 Cent" Jackson woefully miscast as a computer expert, the better.

Escape Plan pales in comparison to action classics like Predator, First Blood, and The Terminator, but it's certainly worth a viewing should it pop up on Netflix.

Rating: ** (*****)

The Last Stand

The Last Stand - Dir. Kim Ji-woon (2013)

"How are you, Sheriff?"

"Old."

Well, he said, he'd be back. After serving two terms as the governor of California, Arnold Schwarzenegger returns to the silver screen with The Last Stand. It's his first starring role since Terminator 3: Rise of the Machines in 2003.

Arnold is Ray Owens, a former LAPD officer now working as the sheriff of sleepy Summerton Junction, located near the border of Arizona and Mexico. Away from big city life, Owens' main problem is the obnoxious mayor constantly parking his Camaro in a fire zone. Those peaceful and tranquil days are over when notorious drug lord Gabriel Cortez (Eduardo Noriega) escapes from FBI custody. Grabbing a female agent (Genesis Rodriguez) hostage, Cortez races to the border at over 200mph in a modified Corvette ZR1. Cortez already has a small army waiting for him near Summerton building a bridge across a canyon to escape into Mexico. The only ones that can stop him are Owens and his ragtag bunch of deputies (Zach Gilford, Jaimie Alexander, Luis Guzman), a war vet (Rodrigo Santoro) sleeping it off in their jail cell, and a local nutcase named Lewis Dinkum (Johnny Knoxville).

Arnold never was the most talented thespian, but he succeeded because of his charisma and undeniable screen presence. Neither of those things has dulled even in his sixties. Sure, he's older, a little less mobile, and his one-liners don't have the same zing they used to. "You fucked up my day off," won't go down in movie history the way, "Hasta la vista, baby" did. Still, he's pretty damned entertaining. The Last Stand doesn’t attempt to hide the fact that we are dealing with an aging Arnold as he assumes the kind of grizzled role Clint Eastwood might have.

The script was penned by Andrew Knauer with rewrites by Jeffrey Nachmanoff (The Day After Tomorrow) and George Nolfi (The Adjustment Bureau) to tailor the project once Arnold signed on. The story is a modern day equivalent of Rio Bravo while trading on the usual clichés and narrative formulas of the action genre. The supporting cast is filled with archetypes including the eager to please rookie thirsting for more action and the chronic underachiever who must rise to the occasion. And The Last Stand may have gone overboard in giving Arnold two comic relief sidekicks in the form of Luis Guzman (at his most Luis Guzman) and Johnny Knoxville. While Eduardo Noriega doesn't make the most memorable villain, he does have Peter Stormare as his lead henchman. Stormare is always fun as a bad guy and his inexplicable attempt at a southern accent is hilarious. Unfortunately, the movie grinds to a halt whenever it cuts to the FBI control room where Forest Whitaker proves his tactical genius by shouting, "Find him," and "Do it now," at his underlings.

You don't go to a movie like The Last Stand for emotional character development. As a solid action movie, it doesn't disappoint. The credit goes to Kim Ji-woon who makes in his first American directorial effort. Kim leads a South Korean invasion to Hollywood with Park Chan-wook's Stoker seeing release in March and Bong Joon-ho arriving later in the year with Snowpiercer. Anyone who has seen Kim's The Good, the Bad, and the Weird or I Saw the Devil might go into The Last Stand with high expectations. However, none of the action sequences ever match up to the wild inventiveness seen in either of those pictures. Yet, it never feels as if Kim were handcuffed the way. Cortez's daring escape with a giant magnet is well-staged and the climactic confrontation is riddled with cool moments such as Arnold tackles a man off a roof and shoots him in the head in mid-air and the best use of a flare gun ever committed to film. Then, there's a great car chase with Owens and Cortez playing cat and mouse through a corn field.

The Last Stand's release is rather untimely with the debate on gun control raging across the country. This isn't just because of the violence, but also because much of the humor is derived from Knoxville's character as a gun collecting loony who has found various ways to skirt government regulations. But, The Last Stand is so silly and inconsequential, it could hardly be taken seriously the way Zero Dark Thirty ignited discussions about torture.

Arnold's star power has lost its luster over the years. In the 80's, The Last Stand may have opened to big numbers. Today, the film opened in 9^th place with a paltry $6.2 million. Maybe The Last Stand will find its audience on DVD because it is incredibly fun with an action-packed third act.

Rating: *** (*****)

The Expendables 2

The Expendables 2 - Dir. Simon West (2012)

The Expendables was wish fulfillment for any hardcore action fan, even if it was about fifteen years too late. Sylvester Stallone gathered together a veritable dream team of badasses from the past and present to commit wholesale carnage. Of course, there were plenty of movie goers wondering where their favorite stars were. Where's Steven Seagal or Don "The Dragon" Wilson? Also, how about some female Expendables? You'll be happy to know The Expendables 2 does what all good sequels should do, expand on the concept with a bigger cast and even bigger action.

The whole gang is back: Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham), Yin Yang (Jet Li), Gunner Jensen (Dolph Lundgren), Hale Caesar (Terry Crews), and Toll Road (Randy Couture), along with a young sniper named Billy the Kid (Liam Hemsworth). The sequel begins with a blood-soaked prologue as the team raids a compound in Nepal to rescue a Chinese billionaire as well as rival mercenary Trench (Arnold Schwarzenegger). Following a successful mission, Ross barely has a chance to enjoy the down time when he's approached by CIA spook Mr. Church (Bruce Willis). Collecting on a debt, Church tasks Ross with retrieving the contents of a high-tech safe from the wreckage of a plane that went down in Albania. Church assigns his computer expert, Maggie (Yu Nan), to assist in the endeavor. They are later joined by the enigmatic Booker (Chuck Norris), another soldier of fortune on a mission to take down the organization.

The Expendables are ambushed by a criminal cartel led by Jean Vilain (Jean-Claude Van Damme) and with a name like Jean Vilain, what else could he be, except evil? Vilain steals the item and kills one of heroes, earning the enmity of Ross. The McGuffin turns out to be a computerized blueprint of a mine containing five tons of weapons-grade plutonium, which he plans to sell to the highest bidders.

Stallone co-wrote the screenplay with Richard Wenk (16 Blocks, The Mechanic) and it's more streamlined than the previous film. Gone are the B-plots that futilely tried to flesh out the already thin characters. There aren't any extraneous side stories this time around, such as with Lee Christmas's girlfriend (Charisma Carpenter, who only appears in one scene). These guys don't have time for romance when they have shit to blow up. They don't have time for existential introspection either so there is no belly gazing or heartfelt monologues from Mickey Rourke (who chose not to return). The script is the type of throwaway junk that was churned out by Cannon Films back in the 80's, right down to the Cold War threat, the Eastern European setting, and a bad guy with a funny accent.

The main appeal of The Expendables 2 is the chance to see Arnold, Bruce Willis, and Stallone blasting machine gunfire at ear shattering decibels. Yes, John Matrix, John McClane, and John Spartan unleash their wrath on an army of anonymous henchmen. Bodies literally explode into fountains of blood as bullets rip through them. Any worries that the violence might be softened should be put away. Sadly, Jet Li doesn't get to participate in the fun as he only appears in the opening. The action itself isn't spectacularly stylish, but it is adequately directed. Stallone handed the reins to Simon West whose workman-like direction is reminiscent of past standbys like Albert Pyun or Peter Hyams.

Any action movie worth its salt is required to have a few cornball one-liners. We get them here with Statham, disguised as a priest, announcing, "I now pronounce you…man and knife." But, most of the humor is self-referential, delivered with a heavy dose of irony and a tongue firmly planted in cheek. Ennio Morricone's theme to The Good, the Bad, and the Ugly plays each time Chuck Norris, who looks pretty spry for a 72-year old, makes his grand entrance. His character is named after John T. Booker, the role he portrayed in Good Guys Wear Black, and he's frequently referred to as a "Lone Wolf." Chuck Norris even gets to tell a Chuck Norris joke. ("I heard you got bit by a king cobra." "Yeah…but after five days of agonizing pain, the cobra finally died."). The script hints at a possible love story between Barney Ross and Maggie with the former being apprehensive to let anyone close. Perhaps, it is because he remembers the death of Julia Nickson in Rambo: First Blood Part II. Of course, Arnold gets all the best lines. He chomps into his scenes as hard as the ever-present stogies in the corner of his mouth. The ex-governor of California exchanges catchphrases with Bruce Willis during the climatic shootout. ("You've been back enough times. This time, I'll be back." "Yippie-ki-yay.")

The best performances in the film belong to the two guys who probably need subtitles more than Schwarzenegger, Dolph Lundgren and Jean-Claude Van Damme. Lundgren is given a beefier role with his Gunner Jensen now clean and sober. He's become a lovable lug with references made to his real-life master's degree in chemical engineering and Fulbright Scholarship to MIT. Van Damme makes the most of his first major theatrical role in years, excluding the meta-textual JCVD. The Muscles from Brussels is immensely entertaining in a rare villainous turn. Plus, it's cool watching him unleash his trademark flying roundhouse kick to Stallone's face. For his brief screen time, Liam Hemsworth adds a new dimension as his youthful exuberance helps to amusingly remind his established co-stars of their increasing age.

They may have less hair and more wrinkles than back in their heyday, but the holy trinity of Planet Hollywood still has the charisma necessary to carry a huge blockbuster and the heavy ammunitions it requires. The Expendables 2 is well-made schlock cinema for those wanting nothing more than big guys with big guns.

Rating: *** (*****)

The Expendables

The Expendables - Dir. Sylvester Stallone (2010)


Sylvester Stallone is an action movie icon. He found worldwide success with the Rocky and Rambo franchises before an ill-fated attempt to branch into comedy nearly derailed his career. I’m sure I’m not the only one who’d like to forget about the existence of Oscar and Stop! Or My Mom Will Shoot. Stallone returned to his action roots with Cliffhanger and Demolition Man, but things just seemed to go so terribly wrong after that. He starred in a series of forgettable flops like Judge Dredd, Assassins, and a poorly advised remake of the classic revenge film Get Carter. It seemed there was no place in the world for the alpha male hero of the 80’s. Stallone seemed to be passé and destined to drift into the direct-to-video world inhabited by Steven Seagal and Jean Claude-Van Damme. Oddly enough both were approached for Stallone's new film, The Expendables, but both turned down the opportunity.

No doubt that predicament was exactly what the Italian Stallion needed to mount an impressive comeback in the 21st century. Stallone returned to his roots once more and resurrected Rocky Balboa and John Rambo for one more go. Examining their place in this modern world, Stallone found there was still life left in a punch drunk has-been boxer and a burnt out Vietnam vet.

Now in his mid-60’s, Stallone is experiencing something of a renaissance period. It wasn’t so long ago that Rambo could easily cut down a hundred bad guys by himself with a machine gun that never needed reloading. In Rambo, he had help from a ragtag group of mercenaries. There’s nothing ragtag about the mercenaries in The Expendables. Stallone has assembled an all-star collection of tough guys to kick some serious ass.

Stallone is Barney Ross, the leader of the Expendables. His best friend and right-hand man is Lee Christmas (Jason Statham), a skilled knife-throwing marksman. Also on the team are Yin Yang (Jet Li), Toll Road (UFC fighter Randy Couture), Hale Caesar (Terry Crews), and the unstable Gunner Jensen (Dolph Lundgren). They have tattoos, ride motorcycles, and have code-names that sound like bad G.I. Joe characters. Still, the Expendables are way tougher than the A-Team and the Losers.

The Expendables begins with the team rescuing hostages from a crew of bloodthirsty Somali pirates. After the battle, Gunner is dumped from the group due to his apparent drug use. In one of the film’s best scenes, Stallone reunites with his Planet Hollywood buddies Bruce Willis and the Governator, Arnold Schwarzenegger. Arnold plays a rival soldier of fortune while Willis plays the mysterious Mr. Church who propositions Stallone for a risky mission.

Ross is hired to topple a tin-plated dictator named General Garza (David Zayas) in the South American island nation of Vilena. Ross and Christmas scout out the island and meet their contact, the beautiful Sandra (Giselle Itie), who turns out to be Garza’s daughter. Our heroes discover Garza is in the pocket of rogue CIA agent James Munroe (Eric Roberts) who is using the island as a base for his drug trade. Working as Munroe’s henchmen are British kickboxer Gary Daniels and WWE Hall of Famer “Stone Cold” Steve Austin. Surmising that they’d be cleaning up the Agency’s own mess, they turn down the job. However, Ross finds himself inspired by Sandra and the Expendables arrive in full force to blow shit up and blow it up good.

Expendables is meant to be a throwback to the action films of the 80’s which featured ridiculous balls-to-the-wall violence, gratuitous nudity, and witty one-liners. Stallone tries to capture the spirit of movies like Commando and Delta Force. Unfortunately, he doesn’t really succeed until the last half hour of the picture.

Following the opening sequence, the film drifts around aimlessly as it works to introduce the various characters. Stallone and co-writer David Callaham toss in a superfluous subplot involving Christmas’s girlfriend, Lacy (Charisma Carpenter), and an abusive boyfriend. The first two acts sag into a quagmire of labored and uninteresting scenes when all you want to see are explosions. The banter between comrades falls flat. About the only moment that comes to life is the scene involving Stallone, Willis, and Schwarzenegger which includes a hilarious dig at Ol’ Arnold. Stallone aims to be the world weary soldier, but he is utterly outmatched in the world weary department by Mickey Rourke. As a retired Expendable turned tattoo artist, Rourke lends a surprising amount of soulfulness to the proceedings. It makes you wish he had a lot more scenes.

After dragging its heels for about an hour, Expendables finally kicks it into high gear when the good guys storm the bad guys’ stronghold. Stallone utilizes the same visceral carnage of the last Rambo film. Human bodies are ripped to shreds by machine gun fire and necks are broken emphatically. Couture and Austin aren’t the only ones who get to bust out MMA and pro wrestling maneuvers. Oh, and Terry Crews hurls an artillery shell with his bare hands. Even though Stallone tries for an old school feel, he falls into the trap so many action directors stumble into. His shots are in too tight and the editing too quick and jumpy for anyone to actually see what's happening on screen.

Stallone should be commended for returning us to the clean, old fashioned fun that comes from mindlessly violent entertainment. However, you wished he had incorporated even more mindlessly violent entertainment. The Expendables is a good action movie, just not a great one.

Rating: ** ½