Monday, October 15, 2012

Pitch Perfect

Pitch Perfect - Dir. Jason Moore (2012)


The trailers made Pitch Perfect look like Glee: The College Years, which sounds about as entertaining as being waterboarded. However, this peppy little picture might be one of the nicest cinematic surprises of 2012.

The adorable Anna Kendrick stars as Beca, an aspiring DJ and record producer. Beca strikes a reluctant deal with her estranged father (John Benjamin Hickey), a professor at the fictional Barden University. Beca will attend for at least one year in order for daddy to pay for her move to Los Angeles.

At Barden, a capella is king and just about every clique is involved. The big men on campus are the Treble Makers while the most glamorous gals are The Barden Belles. There's even a stoner group known as The High Notes. The Belles saw their chance at winning nationals go up in smoke when co-captain Aubrey (Anna Camp) projectile vomited on stage. Aubrey isn't too happy when her best friend Chloe (Brittany Snow) recruits Beca and a motley crew of girls to rebuild the Belles. The new team must pull together if they want to make it to the championship in New York City. It won't be easy because Aubrey runs the team with an iron fist. She steadfastly sticks to a rigid regime with the Belles portrayed as prim and proper while performing ditties by Ace of Base and The Bangles. Meanwhile, Beca wants to change things up with a hipper and livelier set list.

Pitch Perfect was based on the non-fiction book by Mickey Rapkin, a senior editor at GQ, who covered a season of competitive collegiate a capella. Yes, that's a real thing. It was adapted for the screen by Kay Cannon, a writer/producer for 30 Rock and New Girl. She injects a quirky sense of humor to the film, which is skillfully handled by director Jason Moore, best known for the stage musical Avenue Q. Moore keeps the picture energetic as evidenced by a montage as hopefuls audition to Kelly Clarkson's "Since U Been Gone."

Pitch Perfect works because there isn't a cynical bone within its body. Yes, the whole idea may be silly, but the movie never treats its characters with any sort of snarky condescension. Perhaps, the most ridiculous sequence in Pitch Perfect is the Riff-Off as various groups do battle while armed with musical bullets from Rihanna, Salt-N-Pepa, and Foreigner. It might seem like an eye-rolling endeavor, but it's hard not to join in on the fun when everyone on screen is clearly enjoying themselves.

Anna Kendrick is an absolute delight though her star-crossed romance with Treble Maker Jesse (Skylar Austin) isn't as interesting as her interactions with the other girls. There's the usual second act breakup before they reunite in the third act. No, the camaraderie between the Belles forms the spine of Pitch Perfect with terrific performances by Rebel Wilson and Hana Mae Lee. Wilson is getting the lion's share of attention for her outrageous role as Fat Amy, who calls herself that so "twig bitches" don't do it behind her back. However, it is the relatively unknown Lee who makes a breakthrough appearance as the demure Lilly. She has a great singing voice, but her speaking voice barely registers as a whisper. Thankfully, no one can hear her because what she says are psychotic non sequitors ("I ate my twin in the womb."). Christopher Mintz-Plasse pops in for a cameo as do Donald Faison, Har Mar Superstar, and Joe Lo Truglio as an a capella group of alumni, who don't know when to leave campus. John Michael Higgins and Elizabeth Banks (who also produced) also appear as a pair of commentators in the vein of a Christopher Guest mockumentary. Do they actually have commentators for a capella?

Pitch Perfect does for a capella what Bring It On did for cheerleading and Step Up for street dance. Despite not being a fan of the majority of the music used, I thoroughly enjoyed the film. Even the most jaded moviegoer will have a tough time holding back the smile on their face.

Rating: *** (*****)

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