Showing posts with label Garry Marshall. Show all posts
Showing posts with label Garry Marshall. Show all posts

Tuesday, November 11, 2014

Life After Beth

Life After Beth - Dir. Jeff Baena (2014)


Zombies have always worked well as metaphors for hot button issues, such as rampant consumerism or the darker side of humanity. It's not surprising that a few ingenious filmmakers decided to use the zombie apocalypse to deal with romance and relationships. Edgar Wright did it best with Shaun of the Dead while 2013's Warm Bodies had fun with the premise in our post-Twilight era of cinema. Life After Beth mixes the genres of undead horror with young romance, but in a different manner. Whereas Warm Bodies is set years after the fall of civilization and told from the point of view of the handsome zombie boy, Life After Beth takes place just before the outbreak and told from the point of view of the relatively normal Dane DeHaan.

DeHaan is Zach Orfman, whose entire world has been shattered following the death of his girlfriend Beth Slocum (Aubrey Plaza). She died of a rattlesnake bite while hiking in the woods by herself. Zach is hit just as hard by the lingering regrets he feels because Beth was going to break up with him. There were a lot of things he could have done to improve their relationship like going on a hike with her.

Everything changes when Beth returns, alive and well, with no memories of her death or romantic problems with Zach. Her parents, Maury and Geenie (John C. Reilly and Molly Shannon) aren't about to look a gift horse in the mouth. They're more than content to accept that she's been resurrected though Zach is obviously freaked out. Then, he realizes he's been given a second chance with Beth to do all the things they only talked about. Although, there are little instances that Beth isn't quite right. For example, she has a predilection for sleeping in the attic and listening to smooth jazz. She's also prone to fits of rage and feats of incredible strength. And that skin complexion doesn't look quite right…

Life After Beth was written and directed by Jeff Baena, who also co-wrote David O. Russell's I Heart Huckabee's. There's a similar quirkiness on display in "Beth" with the film set in a heightened version of milquetoast suburbia. The story is almost a prequel to the zombie apocalypse showing the initial return of the dead and their subsequent transformation into a ravenous horde. Baena does an interesting job in setting the parameters of the world, but he never delves further than surface level.

Zach is a blank cipher, a largely reactive protagonist who comes off on the whiny side. Baena hardly gives his supporting characters much beyond what's written on the page and leans heavily on his actors. Luckily, he's cast a wealth of talent accomplished enough to make something out of the one-dimensional denizens of Life After Beth. This includes John C. Reilly, Paul Reiser and Cheryl Hines as Zach's parents, and a throwaway cameo by Garry Marshall. Molly Shannon is pitch perfect as Beth's sweet-natured mom, even maintaining her ultra-sunny disposition after having a hand eaten off. Matthew Gray Gubler is cast against type as Zach's older brother, Kyle, a rent-a-cop with delusions of grandeur and a hard-on for his Desert Eagle .50. Kyle is nothing more than a cartoon thrown into the mix to be quirky for quirky's sake.

Aubrey Plaza is great as Beth, getting a chance to play character outside of her usual sarcastic tone. Anna Kendrick pops in for a handful of scenes as a childhood friend of Zach's. You can't help but imagine the possibilities of a buddy comedy starring Plaza and Kendrick with the former's sardonic humor pitted against the latter's adorable perkiness.

Life After Beth had an intriguing premise with an excellent cast, but never lived up to its potential as a hybrid of horror, comedy, and romance. Unfortunately, the movie decomposed quicker than its title character.


Rating: ** (*****)

Sunday, September 12, 2010

Valentine's Day

Valentine's Day - Dir. Garry Marshall (2010)


As I wrote in my review for New York, I Love You, anthology films can be a mixed bag filled with hits and misses. That isn’t the case with Valentine’s Day, it is a complete and utter miss.

An American knockoff of Love Actually, Valentine’s Day was written by Katherine Fugate (creator of the Lifetime soap Army Wives) and directed by Garry Marshall (Pretty Woman). The film stars a litany of well known actors in a series of storylines set in L.A. and revolving around the titular holiday. The whole thing feels like someone threw together a bunch of half-formed ideas from the cookie cutter bin of rom-com concepts because they couldn’t flesh them out into feature length.

Ashton Kutcher is the central character, a florist who gets dumped by his fiancée, Jessica Alba. His best friend, Jennifer Garner, is dating a doctor (Patrick Dempsey), who turns out to be married. Jessica Biel is a sports agent who bonds with Jamie Foxx, a news reporter, over their mutual distaste for Valentine’s Day. Topher Grace works as a mail room clerk in Biel’s office and begins dating the receptionist, Anne Hathaway, who secretly doubles as a phone sex operator. Julia Roberts is an Army captain who shares a plane seat with Bradley Cooper.

The over bloated cast also includes: Julia’s niece Emma, Hector Elizondo, Shirley MacLaine, Queen Latifah, Eric Dane, Kathy Bates, and Joe Mantegna.

The Taylors, Lautner and Swift, also appear as a couple of high schoolers in love. They’re good-looking, bubbly, and empty headed. That pretty much sums up the entire movie. Everybody in the movie is hot, rich, and somehow keep managing to bump into each other. The interconnected contrivances are a lot like Crash, except with romance instead of racism. They all live in some fantasy world version of Los Angeles completely lacking in traffic, crime, or racial diversity. In Valentine’s Day, the only Mexican in L.A. is George Lopez.

Rating: *

Friday, March 20, 2009

Race to Witch Mountain

Race to Witch Mountain - Dir. Andy Fickman (2009)


Disney somehow manages to move forward by going backwards as they once again cannibalize their past. I watched the original Escape to Witch Mountain numerous times as it was constantly rerun on the Disney Channel. It hasn’t really stood up to the test of time. Maybe my tastes have grown more sophisticated over time. Race to Witch Mountain will appeal to the younger demographics today as the original did to the children of the 70’s. The original relied on easy contrivances and hokey special effects. The remake does exactly the same, but with a bigger budget.

Dwayne Johnson (no longer the Rock) is the manly named Jack Bruno, a former ex-con, now working as a cab driver in Vegas. After a run-in with the henchmen of his former boss, Jack finds a pair of siblings named Seth (Alexander Ludwig) and Sara (AnnaSophia Robb) who hand him a wad of cash and tell him to drive. Seth and Sara are aliens whose ship has crash landed in the Nevada desert. The former has telepathic and telekinetic powers while the latter has the ability to shift his molecular density. The two kids must retrieve an alien doohickey and return to their craft or their home planet will be destroyed and Earth will be invaded. There’s also an assassin called the Siphon that kills everything in its path to capture the children. Jack receives assistance from astrophysicist Dr. Alex Friedman (Carla Gugino). In an interesting note (one of the film’s few), Dr. Friedman is respected by neither her serious-minded colleagues who mock her beliefs in extraterrestrial life or UFO enthusiasts who only want to hear stories about anal probes and cattle mutilation.

The original film had the right idea in packing the supporting cast with veteran actors, such as Donald Pleasance and Eddie Albert, to lend some credibility to the goofiness around them. The remake does the same casting Ciaran Hinds as a humorless Man in Black, Garry Marshall as a renowned UFO expert, and Cheech in a thankless bit role as an auto mechanic. Kim Richards and Ike Eisenmann, who starred in the original, make cameo appearances as a waitress and small-town sheriff.

Johnson equates himself well in the role even if he’s not the most multi-faceted actor around. He’s likeable and charismatic, but not enough to carry the weak material.

Rating: * ½