Showing posts with label Alexander Ludwig. Show all posts
Showing posts with label Alexander Ludwig. Show all posts

Friday, June 13, 2014

Lone Survivor

Lone Survivor - Dir. Peter Berg (2013)


Operation Red Wing was a 2005 military operation in which a four man SEAL team stationed in Afghanistan was tasked with eliminating Ahmad Shah, a high-level Taliban target. The mission went tragically awry and only Marcus Luttrell survived to tell the tale. Another sixteen troops were killed when their helicopter was shot down during an attempted rescue. Along with novelist Patrick Robinson, Luttrell co-authored Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of Seal Team 10, his account of the undertaking, which was quickly optioned by writer/director/producer Peter Berg, who was coming off the box office flop of Battleship.

In Lone Survivor, Luttrell, a hospital corpsman, is assigned the mission along with team leader Lt. Michael Murphy (Taylor Kitsch), communications specialist Danny Dietz (Emile Hirsch), and sniper Matthew Axelson (Ben Foster). The SEALs are dropped into the mountainous Hindu Kush region, but are eventually spotted by an elderly goat herder and two young boys. The SEALs choose to release them, despite knowing the civilians will alert Taliban forces to their presence. Sure enough, they are on the run, severely outnumbered and outgunned.

With a title like Lone Survivor, there's little doubt left to the ending, even if you aren't familiar with the real-life events. However, it's the journey that's important and Lone Survivor takes us on one harrowing ride. The film begins innocuously enough as the protagonists enjoy their down time by discussing wedding gifts, kitchen tiles, and hazing the new guy. Once the action begins, it almost never lets up as the movie becomes an extended firefight.

Berg is no stranger to kinetic action as seen in 2007's The Kingdom, which helped him earn credibility with Luttrell. Berg drops you right into the thick of things without relying heavily on the shaky cam that so many American directors employ. Yes, there are handheld shots, but not enough to make you confused as to what's happening on screen. He makes you feel every bone breaking hit when the SEALs tumble down a mountainside. And Berg doesn't shy away from the gorier bits as a bullet rips through a man's body in slow motion.

The acting is on point, particularly the always intense Ben Foster. The leads are called upon to convey distinct personalities with very little material. Berg doesn't attempt to shoehorn in back stories for each character; he's only interested in the here and now.

This being a Hollywood production, Lone Survivor does embellish the events for dramatic purposes. The film sees Luttrell's unit facing an enemy force of over a hundred while military reports list the number as anywhere from a dozen to the thirties. While Luttrell found safe harbor in a Pashtun village, the climatic shootout against Shah and his men never happened.

Lone Survivor is a realistic and brutal portrayal of war. It's gripping and action-packed while remaining respectful to those who lived and died during the actual events.


Rating: *** (*****)

Friday, March 20, 2009

Race to Witch Mountain

Race to Witch Mountain - Dir. Andy Fickman (2009)


Disney somehow manages to move forward by going backwards as they once again cannibalize their past. I watched the original Escape to Witch Mountain numerous times as it was constantly rerun on the Disney Channel. It hasn’t really stood up to the test of time. Maybe my tastes have grown more sophisticated over time. Race to Witch Mountain will appeal to the younger demographics today as the original did to the children of the 70’s. The original relied on easy contrivances and hokey special effects. The remake does exactly the same, but with a bigger budget.

Dwayne Johnson (no longer the Rock) is the manly named Jack Bruno, a former ex-con, now working as a cab driver in Vegas. After a run-in with the henchmen of his former boss, Jack finds a pair of siblings named Seth (Alexander Ludwig) and Sara (AnnaSophia Robb) who hand him a wad of cash and tell him to drive. Seth and Sara are aliens whose ship has crash landed in the Nevada desert. The former has telepathic and telekinetic powers while the latter has the ability to shift his molecular density. The two kids must retrieve an alien doohickey and return to their craft or their home planet will be destroyed and Earth will be invaded. There’s also an assassin called the Siphon that kills everything in its path to capture the children. Jack receives assistance from astrophysicist Dr. Alex Friedman (Carla Gugino). In an interesting note (one of the film’s few), Dr. Friedman is respected by neither her serious-minded colleagues who mock her beliefs in extraterrestrial life or UFO enthusiasts who only want to hear stories about anal probes and cattle mutilation.

The original film had the right idea in packing the supporting cast with veteran actors, such as Donald Pleasance and Eddie Albert, to lend some credibility to the goofiness around them. The remake does the same casting Ciaran Hinds as a humorless Man in Black, Garry Marshall as a renowned UFO expert, and Cheech in a thankless bit role as an auto mechanic. Kim Richards and Ike Eisenmann, who starred in the original, make cameo appearances as a waitress and small-town sheriff.

Johnson equates himself well in the role even if he’s not the most multi-faceted actor around. He’s likeable and charismatic, but not enough to carry the weak material.

Rating: * ½