One Day - Dir. Lone Scherfig (2011)
Love stories don't always have happy endings. That's certainly true in movies as many tragic romances have gone down in cinematic history. Sometimes tragedy strikes as in the case of Love Story where a pining Ryan O'Neal falls head over heels for a terminally ill Ali McGraw. Then, there are films like Casablanca and Brief Encounter where the protagonists ultimately don't end up together. One Day is a little bit of both. Boy meets girl. They hem and haw for years and just when you think they might find happiness, it winds up being a conclusion a little more bittersweet than expected.
Novelist David Nicholls adapted the screenplay for One Day based on his 2009 novel of the same name. The story begins on July 15, 1988 during the graduation of Dexter Mayhew (Jim Sturgess) and Emma Morley (Anne Hathaway) from the University of Edinburgh. Dex is a smooth and handsome lad from a well-to-do family while Emma isn't quite as posh. She wears floral print dresses with black boots and completes the coffee house chic personality by listening to Tracy Chapman. She undoubtedly has Lisa Loeb and the Indigo Girls in her collection. Despite their differences, they spend the night together. While the attraction is obvious, Dex and Emma decide to remain friends. From then on, the film drops the audience into their lives on the anniversary of their first meeting.
As the years progress, the handsome Dex climbs the ladder of success as a famous television personality. When he's not interviewing celebrities, he's bedding a variety of vapid beauties. Meanwhile, Emma is stuck in a dead-end waitressing job at a Mexican restaurant and begins a relationship with the awkward Ian (Rafe Spall), a wannabe stand-up comic who isn't very funny. Time marches on and Dex's career begins crumbling as he falls deeper into his addictions to drug and alcohol. Meanwhile, Emma goes from being a teacher to living in France as a successful writer of children's books. During these scenes, Hathaway sports a short hairdo and a pair of big sunglasses that make her look like Audrey Hepburn. Throughout it all, Dex and Emma's friendship remains as turbulent as their personal lives as they hug and laugh then fight and cry.
Director Lone Scherfig is no stranger to love stories. Her debut picture, Italian for Beginners, is easily the most accessible entry in the Dogme 95 movement and her most successful work, An Education, probably won't get many viewings on Valentine's Day. Scherfig directs One Day with a sure hand and crafts a gorgeous looking movie with help from cinematographer Benoit Delhomme, who also shot The Proposition and Tsai Ming-liang's What Time Is It There? But, the impeccable visuals cannot cover up the lack of compelling characters and thin narrative.
The gimmick of the plot revolving around a specific day makes for an intriguing concept. It's one that has the potential to lift One Day above the treacle that the Hollywood rom-com machine generally churns out. However, the concept never amounts to anything significant and makes the entire effort feel like a warmed over When Harry Met Sally. Part of the problem is that there is never a clear obstacle in the way of their romance. Dex and Emma aren't separated by an insurmountable distance or societal morays. They just don't admit their feelings for one another. The longer this goes on, the more annoying they become and the less invested we become in seeing them get together.
Much has been made in other reviews about Anne Hathaway's British accent. It's stronger than the shakier attempts of Natalie Portman or Renee Zellweger, but it's not the least bit convincing. It is obvious Hathaway was chosen over an English actress for her marketability. Rafe Spall, the son of Timothy Spall, has some good moments as the sweet-natured and nebbish Ian. There are also good performances from Ken Stott and Patricia Clarkson as Dex's parents, even if they have limited screen time.
One Day may appeal to deeply romantic souls, but this cold-hearted critic found it to be a shallow and sappy experience. This is a film about pretty, yet empty-headed, people and filled with weak attempts at witty banter.
Rating: * ½ (*****)
Showing posts with label Jodie Whittaker. Show all posts
Showing posts with label Jodie Whittaker. Show all posts
Saturday, December 10, 2011
Sunday, September 11, 2011
Attack the Block
Attack the Block - Dir. Joe Cornish (2011)
"I got one text left. This is too much madness to explain in one text."
Alien invasion movies have been all the rage this year. We've seen Battle: Los Angeles, Super 8, and Cowboys & Aliens. Not to mention Summit Entertainment's upcoming The Darkest Hour. While it doesn't have the heart of Super 8, Attack the Block stands head and shoulders above all the rest. Shot with a budget of $13 million, Attack the Block was produced by Edgar Wright (Shaun of the Dead) and marks the directorial debut of Joe Cornish, Wright's co-writer on Scott Pilgrim vs. The World and The Adventures of Tintin. Cornish's picture has the feel of a cult classic 80's movie. Think Night of the Creeps if it were directed by John Carpenter.
Attack the Block begins on Guy Fawkes Night as fireworks explode across the sky over South London. The film takes place in the Clayton council estates. An estate, by the way, is the nice British name for the projects. Sam (Jodie Whittaker), a recently graduated nurse is walking home when she is mugged by a group of hoodie-wearing, knife-wielding teens led by Moses (John Boyega). Something crashes into a nearby car and Sam runs off. Moses tells his mates to, "Allow it," in order to check the automobile for something valuable to steal. A gruesome creature scratches his face and escapes into a nearby park. Moses chases it down and kills it. Feeling like a big man, he carries its carcass around like a trophy. The fast-talking Pest (Alex Esmail) believes it’s the start of an alien invasion. Sure enough, more of the creatures arrive, but these are three times bigger, covered in ink-black fur with luminescent fangs. The kids arm themselves with kitchen knives, baseball bats, and even a samurai sword to defend their block from the invaders. Much like his namesake, Moses must lead his comrades to salvation against a swarm of ravenous aliens that resemble the critters from, well, Critters on steroids.
Other main characters include: Ron (Nick Frost), a pot smoking slacker; Brewis (Luke Treadaway), a middle-class white boy who listens to rap; and violent drug dealer Hi-Hatz (Jumayn Hunter).
Cornish takes the bold route by introducing the protagonists as juvenile delinquents participating in a violent crime. These young characters are a throwback to a time when kids could curse and act in a politically incorrect manner. Though thinly drawn, the heroes of Attack the Block are funny and charming with as a band of hooligan Goonies. Cornish cast first-time actors for these roles and each one excels in their parts with John Boyega as the anchor. Boyega has the presence needed to serve as the leading man. With the scars across his face, he even resembles a young Mike Tyson. Not surprising that Boyega has been cast in an HBO pilot being produced by Tyson and Spike Lee.
At 88 minutes, Attack the Block moves at a brisk pace thanks to the efficiency of the screenplay. Cornish wastes little time introducing the characters and moving the plot forward and it's refreshing in the face of bloated blockbusters like Transformers: Dark of the Moon. Cornish does have room to grow as a director. One of the movie's biggest faults is the staging of the chase scenes. The geography of the estate is never fully fleshed out so it's difficult to tell where everyone is running to or from. The film could have also used subtitles as the thick South London accents are almost indiscernible.
Attack the Block is the working class alien invasion movie with the same skillful blend of action, comedy, and horror as Shaun of the Dead.
Rating: *** (*****)
"I got one text left. This is too much madness to explain in one text."
Alien invasion movies have been all the rage this year. We've seen Battle: Los Angeles, Super 8, and Cowboys & Aliens. Not to mention Summit Entertainment's upcoming The Darkest Hour. While it doesn't have the heart of Super 8, Attack the Block stands head and shoulders above all the rest. Shot with a budget of $13 million, Attack the Block was produced by Edgar Wright (Shaun of the Dead) and marks the directorial debut of Joe Cornish, Wright's co-writer on Scott Pilgrim vs. The World and The Adventures of Tintin. Cornish's picture has the feel of a cult classic 80's movie. Think Night of the Creeps if it were directed by John Carpenter.
Attack the Block begins on Guy Fawkes Night as fireworks explode across the sky over South London. The film takes place in the Clayton council estates. An estate, by the way, is the nice British name for the projects. Sam (Jodie Whittaker), a recently graduated nurse is walking home when she is mugged by a group of hoodie-wearing, knife-wielding teens led by Moses (John Boyega). Something crashes into a nearby car and Sam runs off. Moses tells his mates to, "Allow it," in order to check the automobile for something valuable to steal. A gruesome creature scratches his face and escapes into a nearby park. Moses chases it down and kills it. Feeling like a big man, he carries its carcass around like a trophy. The fast-talking Pest (Alex Esmail) believes it’s the start of an alien invasion. Sure enough, more of the creatures arrive, but these are three times bigger, covered in ink-black fur with luminescent fangs. The kids arm themselves with kitchen knives, baseball bats, and even a samurai sword to defend their block from the invaders. Much like his namesake, Moses must lead his comrades to salvation against a swarm of ravenous aliens that resemble the critters from, well, Critters on steroids.
Other main characters include: Ron (Nick Frost), a pot smoking slacker; Brewis (Luke Treadaway), a middle-class white boy who listens to rap; and violent drug dealer Hi-Hatz (Jumayn Hunter).
Cornish takes the bold route by introducing the protagonists as juvenile delinquents participating in a violent crime. These young characters are a throwback to a time when kids could curse and act in a politically incorrect manner. Though thinly drawn, the heroes of Attack the Block are funny and charming with as a band of hooligan Goonies. Cornish cast first-time actors for these roles and each one excels in their parts with John Boyega as the anchor. Boyega has the presence needed to serve as the leading man. With the scars across his face, he even resembles a young Mike Tyson. Not surprising that Boyega has been cast in an HBO pilot being produced by Tyson and Spike Lee.
At 88 minutes, Attack the Block moves at a brisk pace thanks to the efficiency of the screenplay. Cornish wastes little time introducing the characters and moving the plot forward and it's refreshing in the face of bloated blockbusters like Transformers: Dark of the Moon. Cornish does have room to grow as a director. One of the movie's biggest faults is the staging of the chase scenes. The geography of the estate is never fully fleshed out so it's difficult to tell where everyone is running to or from. The film could have also used subtitles as the thick South London accents are almost indiscernible.
Attack the Block is the working class alien invasion movie with the same skillful blend of action, comedy, and horror as Shaun of the Dead.
Rating: *** (*****)
Labels:
action,
Jodie Whittaker,
Joe Cornish,
John Boyega,
Luke Treadaway,
Nick Frost,
scifi
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