Django…Django, have
you always been alone?
Django…Django, have
you never loved again?
Film geeks had to be on pins and needles when word got out
that Quentin Tarantino would write and direct a Western. The Spaghetti Western
was a tremendous influence on Kill Bill
and Inglourious Basterds so fans were
eager to see QT tackle the genre outright. He does not disappoint with the
vibrant and violent Django Unchained.
The titular Django (Jamie Foxx) is a runaway slave separated
from his wife Broomhilda (Kerry Washington) by their wicked master. He is
rescued from a chain gang by German bounty hunter Dr. King Schultz (Christoph
Waltz), who requires Django's assistance in tracking down a trio of outlaws
known as the Brittle Brothers. A newfound friendship quickly blossoms and
Schultz agrees to help Django find his wife. Unfortunately, she is now in the
possession of a particularly nasty plantation owner named Calvin Candie
(Leonardo DiCaprio).
Just as he has done in the past, Tarantino litters the
narrative with references to the movies he loves with Django Unchained serving as a fusion of Westerns and
blaxploitation. Tarantino specifically riffs on Sergio Corbucci, director of
the original Django, which was a
classic Spaghetti Western. Much like Inglourious
Basterds, Tarantino took the title and barebones premise of an older
Italian picture and injected it with his own unique vision. Franco Nero, the
original Django, makes a cameo appearance and receives special thanks in the
opening credits. Django isn't the
only Corbucci flick Tarantino pays homage to. The montage where Schultz trains
Django in the snow covered mountains is a reference to The Great Silence, a rarity of the genre in that it was set during
the dead of winter and not under a scorching desert sun. The theme of revenge
recalls Navajo Joe, starring Burt
Reynolds, as well as Giulio Petroni's Death
Rides a Horse, which played a huge part in the genesis of Kill Bill. Another film Tarantino owes a
debt to is the controversial Mandingo
with its brutal depiction of slaves forced to fight one another. In true
Tarantino fashion, Broomhilda's full name is Broomhilda von Shaft, after the
German family that previously owned her, which points to her and Django being
the ancestors of blaxploitation icon John Shaft.
Tarantino isn't known for providing his films with an
original score. He prefers using existing music and the soundtrack is an
eclectic collection of anachronistic pop tunes like Jim Croce's "I Got a
Name" with hip-hop tracks by Tupac and Rick Ross. In addition, there are
the usual pieces from Ennio Morricone and Luis Bacalov whose compositions are
synonymous with the Western genre. The opening credits are set to the theme
song of the original Django while the
end credits use "Trinity (Titoli)," the theme from They Call Me Trinity, a comedic take on
the Western starring Terence Hill, who also appeared in the similar My Name is Nobody.
Django Unchained isn't
without its problems, not the least of which is Tarantino's atrocious attempt
at an Australian accent. The movie certainly feels like one of his messiest
works, which could be explained by several factors. QT reportedly took a lax
attitude when it came to production and the picture fell behind schedule. The
death of Tarantino's long-time editor Sally Menke has to be factored in as
well. This is his first picture without Menke and her presence in the editing
room is missed. Finally, a lot of material was cut from the original
screenplay, including extended backstories for Broomhilda and some of
Candieland's denizens. Django's wife suffers the most from these trims as she
is reduced to a damsel in distress. It is truly disappointing to see her as
such a cipher compared to the strong female characters Tarantino has written
before (Jackie Brown, The Bride, etc.). Tarantino does manage to inject his own
flair for dark and over-the-top humor exemplified by a Blazing Saddles-style sequence involving the Regulators, the
precursors to the KKK.
All those faults are easily overlooked by a winning
performance from Christoph Waltz, who earned a second Academy Award for Best
Supporting Actor. Django Unchained lives
and dies at the feet of the loquacious Dr. King Schultz. Never has the marriage
between auteur and thespian been so perfect. Waltz was born to breathe life
into Tarantino's stylish dialogue. He exudes an inordinate amount of charisma
in every scene. At the same time, there's a subtle layer of shock and seething
anger underneath Schultz's whimsical nature due to the prejudice he witnesses. Every
hero needs a strong villain to face and Calvin Candie serves that role thanks
to Leonardo DiCaprio, who is cast against type as the sinister Southerner. Much
like Waltz as Hans Landa, DiCaprio possesses a disarming charm and cherubic
visage that belies his propensity for sadism. However, the true antagonist in Django Unchained may just be Samuel L.
Jackson as Stephen, the faithful servant to the Candie family. Judging by
outward appearances, Stephen could be dismissed as a comical stereotype in the
vein of Uncle Remus from "Song of the South." But, his hateful nature
is quickly revealed to be downright frightening. In addition the leads,
Tarantino rounds out his rich supporting cast with regular collaborators like
Zoe Bell, Tom Savini, and Michael Parks alongside Jonah Hill, Walt Goggins, Don
Johnson, Bruce Dern, James Remar, John Jarratt, and Tom Wopat.
Django Unchained is
a vibrant example that Quentin Tarantino doesn't just make movies, he makes pop
art. The film soars on the back of Tarantino's intricately written dialogue and
a bravura performance from Christoph Waltz until it builds to a bloody
crescendo. "Django Unchained" is my pick for the best film of 2012.
Rating: **** (*****)
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