Horrible Bosses - Dir. Seth Gordon (2011)
This summer has been the season for raunchy comedies. The Hangover Part II is one of the highest grossing films of the year, despite a severe critical lashing. Bridesmaids is in the top ten for domestic grosses and received far more critical praise. The summer has also yielded Bad Teacher, the upcoming body switch laugher The Change-Up, and the workplace comedy Horrible Bosses.
Horrible Bosses plays into the dark fantasies we've all had about gaining a measure of revenge against an abusive supervisor. It also touches upon the frustrations that have been cultivated by the turbulent economic climate. However, don't expect a sharp treatise that handles those themes with a wry intelligence. Horrible Bosses earns its R rating by being a silly and profane comedy.
Jason Bateman is Nick Hendricks, a white-collar worker at a financial firm under the tyrannical reign of Dave Harken (Kevin Spacey). Harken represents the worst aspects of the corporate world. He dangles and denies a vital promotion to Nick, then laughs about his dead grandmother. Jason Sudeikis is Kurt Buckman, an account manager for a chemical company. Unlike his buddies, Kurt actually loves his job probably because he works for kindly Donald Sutherland. Unfortunately, the old man dies of a heart attack leaving the company in the hands of his odious sleazebag son. Not Kiefer, but Bobby Pellitt (Colin Farrell sporting a beer belly and a comb-over). Bobby plans on running his dad's legacy into the ground to feed his appetite for cocaine and hookers. Finally, there's Dale Arbus, a chaste dental assistant, who suffers from daily sexual harassment from his nymphomaniac boss, Dr. Julia Harris (Jennifer Aniston).
All three buddies have their reasons for not simply quitting their jobs. Harken promises to blackball Nick from the industry should be leave. Kurt doesn't want to see Bobby destroy the company. Dr. Julia has taken pictures of herself molesting an unconscious Dale and threatens to show them to his fiancée (Lindsay Sloane). Poor Dale is also a registered sex offender, the reasons for which are too funny to spoil.
After reaching their breaking point, the protagonists decide to kill their bosses. Of course, none of them have any clue about how to do that. Kurt comes up with the harebrained scheme of going into a bar in East L.A. and ask around. They meet an ex-con named Dean "Motherfucker" Jones (Jamie Foxx), who agrees to be their murder consultant.
Anybody who has ever watched an episode of CSI will figure out their plans aren't likely to be successful. What follows is a farcical series of events as these frat pack Three Stooges fumble their way through their half-assed murder plots. It is the interactions between the leads that sells Horrible Bosses. None of the main actors are doing anything new. Bateman reprises the role of the exasperated everyman he has portrayed since his comeback on Arrested Development. Sudeikis is doing his horndog shtick though Horrible Bosses is a better showcase for his comedic skills than the Farrelly Brothers' inert Hall Pass. Meanwhile, Day is basically reprising his role from FX's It's Always Sunny in Philadelphia. Day also provides some of the funniest moments of the movie from his manic motions after accidentally breathing in Bobby's coke stash to singing the Ting Ting's "That's Not My Name" while alone in a car.
Day's performance also saves his particular subplot, which might be the most tenuous of them all. Let's face it, Aniston's perpetually horny cougar is the dream boss for any heterosexual male. But, Day imbues Dale with a dim-witted naiveté that makes it somewhat believable for him to be offended by Julia's advances. For Aniston, this is a drastic departure from her usual girl-next-door roles. It's not exactly the most nuanced character or the most politically correct, but she plays it with gusto. To no one's surprise, Kevin Spacey turns in a solid performance as an asshole boss, a return to his Buddy Ackerman from Swimming with Sharks with a dash of John Williamson from Glengarry Glen Ross. Colin Farrell is sadly short-changed in screen time. He is wonderfully over-the-top.
The film is competently directed by Seth Gordon, who made his debut with the excellent documentary King of Kong. He has since turned into a director of slick Hollywood comedies.
Horrible Bosses is a safe, mainstream Hollywood picture masquerading as an edgy black comedy. The characters are cartoonish and the plot moves ahead through a series of sitcom contrivances. But, it's entertaining and humorous enough to warrant at least a rental.
Rating: ** ½ (*****)
Showing posts with label Lindsay Sloane. Show all posts
Showing posts with label Lindsay Sloane. Show all posts
Sunday, July 17, 2011
Wednesday, November 10, 2010
She's Out of My League
She's Out of My League - Dir. Jim Field Smith (2010)
You kinda wonder what went on in the lives of Sean Anders and John Morris when they wrote the screenplay for She's Out of My League. A schlubby guy falls for a smoking hot chick, winning her over from her alpha male boyfriend while humiliating his bitchy ex-girlfriend. It's pure nerd wish fulfillment.
Jay Baruchel is cast as the same guy he always plays, the stammering, gawky geek. Here, he's Kirk Kettner, a security officer at the Pittsburgh International Airport. He's still trying to get over being dumped by his ex, Marnie (Lindsay Sloane). To heap humiliation upon humiliation, Marnie and her new boyfriend, Ron (Hayes MacArthur), remain close to Kirk's parents and they are all planning a family vacation to that faraway land known as Branson, MO. Kirk hits it off with Molly (Alice Eve), a successful event planner, after returning her missing iPhone. Kirk's insecurities over their drastic differences in looks and social class threaten to end their unlikely romance. Not even his circle of ribald friends (Mike Vogel, TJ Miller, Nate Torrence) give him a chance in Hell. She's a 10 and he's a 5. How will it ever work out? Kirk also has to deal with Molly's former fighter pilot boyfriend, an insanely jealous Marnie, and his embarrassing family.
She's Out of My League plays like a Knocked Up knock-off. It's the type of film someone makes after watching the entire oeuvres of Judd Apatow and the Farrelly Brothers. League is littered with lowbrow gags that include nut shots, gay jokes, and a sequence that involves Baruchel getting his pubic hair shaved. Another scene revolves around Kirk ejaculating into his pants and trying to stop the dog from licking it. Just as the movie never moves beyond juvenile humor, the cast never moves beyond broad caricatures. For example, Debra Jo Rupp is cast as Kirk's mother, but she's basically reprising her role as the mom from That 70's Show. Baruchel is the same stammering beanpole he has in other pictures like Tropic Thunder. He isn't given the opportunity to imbue enough charm to his character in order to make the audience root for him.
Rating: * ½
You kinda wonder what went on in the lives of Sean Anders and John Morris when they wrote the screenplay for She's Out of My League. A schlubby guy falls for a smoking hot chick, winning her over from her alpha male boyfriend while humiliating his bitchy ex-girlfriend. It's pure nerd wish fulfillment.
Jay Baruchel is cast as the same guy he always plays, the stammering, gawky geek. Here, he's Kirk Kettner, a security officer at the Pittsburgh International Airport. He's still trying to get over being dumped by his ex, Marnie (Lindsay Sloane). To heap humiliation upon humiliation, Marnie and her new boyfriend, Ron (Hayes MacArthur), remain close to Kirk's parents and they are all planning a family vacation to that faraway land known as Branson, MO. Kirk hits it off with Molly (Alice Eve), a successful event planner, after returning her missing iPhone. Kirk's insecurities over their drastic differences in looks and social class threaten to end their unlikely romance. Not even his circle of ribald friends (Mike Vogel, TJ Miller, Nate Torrence) give him a chance in Hell. She's a 10 and he's a 5. How will it ever work out? Kirk also has to deal with Molly's former fighter pilot boyfriend, an insanely jealous Marnie, and his embarrassing family.
She's Out of My League plays like a Knocked Up knock-off. It's the type of film someone makes after watching the entire oeuvres of Judd Apatow and the Farrelly Brothers. League is littered with lowbrow gags that include nut shots, gay jokes, and a sequence that involves Baruchel getting his pubic hair shaved. Another scene revolves around Kirk ejaculating into his pants and trying to stop the dog from licking it. Just as the movie never moves beyond juvenile humor, the cast never moves beyond broad caricatures. For example, Debra Jo Rupp is cast as Kirk's mother, but she's basically reprising her role as the mom from That 70's Show. Baruchel is the same stammering beanpole he has in other pictures like Tropic Thunder. He isn't given the opportunity to imbue enough charm to his character in order to make the audience root for him.
Rating: * ½
Monday, August 9, 2010
The Other Guys
The Other Guys - Dir. Adam McKay (2010)

Riggs and Murtaugh. Tango and Cash. Add Hoitz and Gamble to the buddy cop pantheon.
The Other Guys opens in true action film fashion with a rousing car chase through the streets of New York City as top cops, Danson (Dwayne Johnson) and Highsmith (Samuel L. Jackson), run down the perpetrators. A massive amount of property damage is done to bring in a few crooks possessing a miniscule amount of marijuana. Back at the station house, Danson and Highsmith are greeted with a hero’s welcome. None of the accolades are thrown the way of Terry Hoitz (Mark Wahlberg) and Allen Gamble (Will Ferrell). They don’t blow shit up, they don’t get the girls, nor do they make the big arrests.
Hoitz could be doing those things, if not for an embarrassing shooting mishap, which relegated him to desk duty. His partner, Gamble, is a forensic accountant who gleefully enjoys paperwork and has no desire to see any action in the field. While investigating a minor oversight in construction permits, Gamble and Hoitz uncover a Bernie Madoff-style plot by millionaire mogul David Ershon (Steve Coogan) to embezzle $32 billion.
The main cast also features Michael Keaton as the precinct captain who moonlights as the manager of a Bed Bath and Beyond, Eva Mendes as Gamble’s inexplicably hot wife, Ray Stevenson as an Australian mercenary, and an uncredited Anne Heche as a corrupt CEO employing Ershon.
The Other Guys is the fourth collaboration between director Adam McKay and Will Ferrell following Anchorman, Talladega Nights and Step Brothers. Other Guys isn’t as hilarious as the first two films, but it’s several notches above the somewhat crass Step Brothers. As a spoof of buddy cop films, it works better than Kevin Smith’s Cop Out. However, the genre has become such a self-parody of itself that McKay is simply beating a dead horse. Seeing Wahlberg in a slow-mo John Woo shootout isn’t as funny as it should be because the gag has been done to death.
Where the film excels is in the interactions between the lead actors. Wahlberg has given some terribly wooden performances recently in The Happening and The Lovely Bones. He’s better suited for action and comedy and he’s excellent as the hotheaded straight man. Ferrell’s idiot man-child routine wears thin so he wisely tones it down for Other Guys. There’s a slow burn for his character as they slowly reveal the darker side he’s hidden.
McKay tops it off with his own brand of absurdist humor displayed in many hysterical gags sprinkled throughout the film. Some of the funniest bits include: Coogan bribing our heroes with tickets to Jersey Boys, a run-in with a group of horny hobos led by a fellow named Dirty Mike (played by McKay himself), an ending credits sequence utilizing Powerpoint-style animation to explain Ponzi schemes and government bailouts, and Ferrell constantly being hit on by gorgeous women like Brooke Shields (wife of co-writer Chris Henchy).
Rating: ***

Riggs and Murtaugh. Tango and Cash. Add Hoitz and Gamble to the buddy cop pantheon.
The Other Guys opens in true action film fashion with a rousing car chase through the streets of New York City as top cops, Danson (Dwayne Johnson) and Highsmith (Samuel L. Jackson), run down the perpetrators. A massive amount of property damage is done to bring in a few crooks possessing a miniscule amount of marijuana. Back at the station house, Danson and Highsmith are greeted with a hero’s welcome. None of the accolades are thrown the way of Terry Hoitz (Mark Wahlberg) and Allen Gamble (Will Ferrell). They don’t blow shit up, they don’t get the girls, nor do they make the big arrests.
Hoitz could be doing those things, if not for an embarrassing shooting mishap, which relegated him to desk duty. His partner, Gamble, is a forensic accountant who gleefully enjoys paperwork and has no desire to see any action in the field. While investigating a minor oversight in construction permits, Gamble and Hoitz uncover a Bernie Madoff-style plot by millionaire mogul David Ershon (Steve Coogan) to embezzle $32 billion.
The main cast also features Michael Keaton as the precinct captain who moonlights as the manager of a Bed Bath and Beyond, Eva Mendes as Gamble’s inexplicably hot wife, Ray Stevenson as an Australian mercenary, and an uncredited Anne Heche as a corrupt CEO employing Ershon.
The Other Guys is the fourth collaboration between director Adam McKay and Will Ferrell following Anchorman, Talladega Nights and Step Brothers. Other Guys isn’t as hilarious as the first two films, but it’s several notches above the somewhat crass Step Brothers. As a spoof of buddy cop films, it works better than Kevin Smith’s Cop Out. However, the genre has become such a self-parody of itself that McKay is simply beating a dead horse. Seeing Wahlberg in a slow-mo John Woo shootout isn’t as funny as it should be because the gag has been done to death.
Where the film excels is in the interactions between the lead actors. Wahlberg has given some terribly wooden performances recently in The Happening and The Lovely Bones. He’s better suited for action and comedy and he’s excellent as the hotheaded straight man. Ferrell’s idiot man-child routine wears thin so he wisely tones it down for Other Guys. There’s a slow burn for his character as they slowly reveal the darker side he’s hidden.
McKay tops it off with his own brand of absurdist humor displayed in many hysterical gags sprinkled throughout the film. Some of the funniest bits include: Coogan bribing our heroes with tickets to Jersey Boys, a run-in with a group of horny hobos led by a fellow named Dirty Mike (played by McKay himself), an ending credits sequence utilizing Powerpoint-style animation to explain Ponzi schemes and government bailouts, and Ferrell constantly being hit on by gorgeous women like Brooke Shields (wife of co-writer Chris Henchy).
Rating: ***
Subscribe to:
Posts (Atom)

