Showing posts with label Fred Armisen. Show all posts
Showing posts with label Fred Armisen. Show all posts

Friday, October 22, 2010

Easy A

Easy A - Dir. Will Gluck (2010)


Easy A might be the surprise hit of the summer. I wasn't expecting much, but it is several notches above recent teen comedies that favor raunchiness and gross-out gags.

Emma Stone has seen her star rise steadily since debuting in Superbad. She cemented her status as one of the most talented actresses today with roles in The House Bunny and Zombieland. Even in subpar movies like The Rocker and Ghosts of Girlfriends Past, she's able to shine. In Easy A, Stone receives her first starring role as Olive Penderghast, a virtual non-entity attending high school in Ojai, California. To avoid going on a camping trip with her best friend Rhiannon (Alyson Michalka), Olive tells her she's got a date with a boy who goes to community college. The boy doesn't exist and Olive actually spends her weekend at home giving the dog a pedicure and listening incessantly to Natasha Bedingfield's "Pocketful of Sunshine."

Olive's little white lie begins to spiral out of control when Rhiannon jumps to the conclusion that her BFF lost her virginity to this imaginary boyfriend. Olive rolls with it and the news that she busted her cherry is spread all over campus by Marianne (Amanda Bynes), the self-righteous leader of a circle of Christian conservatives. Next, she's approached by Brandon (Cougar Town's Dan Byrd) who is constantly bullied due to his homosexuality. They concoct the plan to fake having sex at a wild party to pass Brandon off as straight. Soon, Olive is trading pretend sexual favors for gift cards in order to bolster the reputations of the school's geeks, losers, and fatties. One gawky kid can only sheepishly offer a coupon to Bed, Bath, and Beyond.

Taking inspiration from The Scarlet Letter, Olive decides to really roll with it by dressing provocatively and embroidering a big red A on her clothing. Before nobody knew she existed, now Olive is turning heads wherever she goes. However, her newfound notoriety isn't all it is cracked up to be considering no guys have bothered to ask her out on real dates.

Easy A doesn't have the bite of the darker edged Heathers. It doesn't have the resonance of the John Hughes films it references multiple times, even if the redheaded Emma Stone reminds one of Molly Ringwald. Still, there is an underlying level of poignancy, especially given the recent spotlight shown on teen suicides. The cruelty seen in Easy A never reaches those same levels, but it comment on the difficulty of adolescence and the damage that can be done by rumor mongering. Aided by text messaging and the internet, gossip spreads like wildfire within seconds. Despite her new status, Olive has no one to confide in. Her best friend turns against her and her parents (Stanley Tucci and Patricia Clarkson) would rather be her pals than her parents. Seeking guidance from the school counselor (Lisa Kudrow), Olive is given a handful of condoms instead along with a curt brush off.

Easy A does ask its audience to make a few leaps of faith. As with the majority of teen movies, the young cast is comprised of 20-something actors who still look too old to be in high school. The point is joked about in Marianne's boyfriend (Cam Gigandet) who has been stuck as a senior for almost four years. It's also hard to believe that Emma Stone could ever be invisible. She's pretty, charming, and almost carries the picture. I say almost because some of the adult actors provide notable performances. Tucci and Clarkson are hilarious as the free-spirited parents, Thomas Haden Church appears in an understated, yet funny turn as an English teacher, and Malcolm McDowell is good as the school's uptight principal.

Rating: ***

Sunday, March 7, 2010

Cop Out

Cop Out - Dir. Kevin Smith (2010)


Bruce Willis is Jimmy Monroe and Tracy Morgan is Paul Hodges, a pair of NYPD detectives who have been partners for nine years. After botching a drug bust, Jimmy and Paul are suspended without pay by their angry precinct captain. Yes, he does force them to turn in their badges and guns, but we never hear anything about the mayor shitting bricks.

With his daughter, Ava (Michelle Trachtenberg), about to be wed, Jimmy needs cash to pay for the ceremony and hopes to cash in on a valuable baseball card. Just as he’s about to have it appraised, the shop is robbed and the card snatched up. Jimmy and Paul are able to catch one of the thieves, a motor-mouthed practitioner of parkour named Dave (Seann William Scott). From him, they learn the card is now in the possession of a wannabe kingpin known on the streets as Poh Boy (Guillermo Diaz). This leads to a stolen Mercedes, a kidnapped woman (Ana de la Reguera) locked in the trunk, and Po Boy’s plot to take over the drug rackets on the entire east coast. Meanwhile, Paul is constantly worried that his wife, Debbie (Rashida Jones), is cheating on him.

Cop Out marks the first time Kevin Smith has directed a film not based on his own script. Smith is certainly an unlikely director-for-hire. His name certainly coming up due to getting along swimmingly with his fellow New Jerseyite on the set of Live Free or Die Hard. Smith, by his own admission, isn’t the most visual of directors. He and his long-time cinematographer David Klein have produced their slickest looking film to date, but the action is far too bland to excite.

The script (originally known under the far superior title of A Couple of Dicks) by Robb & Mark Cullen is a throwback to the Shane Black-style 80’s buddy cop flicks. Adding to the feel, the synth score for Cop Out is composed by Harold Faltermeyer of Beverly Hills Cop fame. But, the sad attempts at comedy here pale in comparison to films like the aforementioned Beverly Hills Cop as well as 48 Hrs. and Lethal Weapon. The movie strains under childish gags like Seann William Scott annoyingly repeating what other people say.

Bruce Willis essentially plays Bruce Willis here and that’s worked out well for him, but Tracy Morgan proves he’s not ready for a leading role. On 30 Rock, Morgan is hilarious in those short bursts. However, his Tracy Morgan shtick wears thin after an hour and forty minutes.

It’s said that every hero is only as good as his villain. If that’s the case, the heroes are incredibly weak considering their weak villains. Poh Boy and his gang are some of the least menacing and least memorable bad guys in recent memory.

Cop Out opens with Morgan interrogating a prisoner by quoting lines from random films like Jaws, Star Wars (it is a Smith film), Dirty Dancing, and even Die Hard. To paraphrase Roger Ebert, you never want to remind the audience of movies they’d rather be watching.

Rating: * ½