"God doesn't love you…unless you fear him."
Kevin Smith is one of those rare filmmakers who has become a brand name. He has accumulated a devout following who will buy anything that has his name on it. Smith became a poster boy for do-it-yourself cinema with his debut film, Clerks, which spawned a series of R-rated comedies such as Mallrats and Jay & Silent Bob Strike Back that found more success on home video than in theaters. His most mature work was undoubtedly Chasing Amy, an unconventional love story that touched upon sex and gender politics.
Red State marks a return to his indie roots following a dismal attempt as a director-for-hire with Cop Out. Smith raised the $4 million budget himself and self-distributed Red State through a series of select screenings paired with Q&A sessions as well as making it available through iTunes, Video on Demand, Netflix, and recently DVD and Blu-Ray. Be forewarned, Red State is not a comedy. Smith steps out of his comfort zone with a film that drifts into the genres of horror and thriller.
Red State begins a lot like a typical Kevin Smith flick with three horny, high school boys graphically discussing sex. Thanks to the internet, Travis (Michael Angarano), Jarod (Kyle Gallner), and Billy-Ray (Nicholas Braun) have reached out to an older woman who wants to have a gangbang with them. That woman turns out to be Sarah Cooper (Melissa Leo), the daughter of Abin Cooper (Michael Parks), leader of a fanatical religious group known as the Five Points Church. The Church has become infamous within their small Midwest community for protesting at funerals and their unwavering hatred of homosexuals. They have lured the teens to their compound and plan to murder them on their altar.
After one of his deputies is killed, the local sheriff (Stephen Root) calls for assistance from the government. Special Agent Keenan (John Goodman) is sent in with an ATF strike force to negotiate the surrender of the Five Pointers. He is shocked when his superiors order a full raid and permission to use deadly force having labeled the zealots as domestic terrorists.
Red State is a drastic departure for Kevin Smith. Not just in terms of subject matter, but in regards to his directorial style. By his own admission, Smith is not a visual filmmaker, preferring to tell his stories through dialogue rather than complex camera movements or ornate shot compositions. Red State is nothing like the visually static films of Smith's past. It has a gritty and dirty look to it with a color palette that runs towards the brown and the gray. As the situation descends into a violent Waco-esque shootout, Smith and cinematographer Dave Klein employ a frantic camera style, but avoid the nauseating shaky cam that has plagued action sequences in this post-Jason Bourne era.
Kevin Smith's way with words is on full display here as Red State is dotted with several clever exchanges including one (in regards to the Coopers' massive cross) between Agent Keenan and his right-hand man played by Kevin Pollak.
"How much do you think a cross like that costs?"
"In dollars or common sense?"
Smith toys with the audience by shifting perspectives from the boys to the religious nuts to the ATF agents. And none of them are particularly sympathetic. The only character that elicits any empathy is Sarah's daughter, Cheyenne (Kerry Bishé), who desperately tries to reason with the ATF and her own family to safeguard the lives of the young children in the compound.
The lack of a strong protagonist isn't a problem though. The problem comes from a litany of characters that are thinly sketched. It's also topped with a rushed plot that never delves any deeper and relies too much on convenience. At first, Keenan reluctantly follows orders to storm the church with guns blazing while his tactical commander adamantly opposes. Later, their roles are switched on a dime with the commander gunning down unarmed people without remorse.
Red State is a sharp stab to the eye of the religious right and an unchecked, authoritarian government. This is a picture marked by strong performances from Melissa Leo, John Goodman and character actors like Kevin Pollak and Stephen Root. However, the film is commanded by a mesmerizing and chilling turn by Michael Parks. Yet, that alone isn't enough to make Red State anything more than a bold, but flawed, experiment.
Rating: ** (*****)
