The Dilemma

The Dilemma - Dir. Ron Howard (2011)

The Dilemma stirred up some controversy over a scene in which Vince Vaughn's character derogatively referred to electric cars as "gay." The joke was poorly timed following a tragic spate of teen suicides and the ugly comments by an Arkansas school board member. In the end, the controversy disappeared quicker than the movie did. The Dilemma was released in the doldrums of January and vanished from theaters a month later.

Vaughn plays Ronny Valentine, a fast-talking businessman who runs a small automotive design firm with his best friend, Nick (Kevin James). They're about to land the biggest contract of their lives after successfully pitching Chrysler their idea for an energy efficient engine with the power and feel of a classic muscle car. Nick's struggle to actually pull off his novel invention isn't the dilemma of the film's title. The real dilemma comes when Ronny discovers Nick's wife, Geneva (Winona Ryder), is having an affair with a younger man (Channing Tatum). Obviously, Ronny can't tell his BFF because then there wouldn't be a movie. No, Ronny decides to follow Geneva around like an amateur detective looking to gather enough evidence to bust her.

The previews made The Dilemma out be a lighthearted comedy when that's only partially true. Much like another Vince Vaughn vehicle, The Break-Up, The Dilemma is an unbalanced mixture of wacky comedy and heavy-handed drama. The usually competent (if bland) Ron Howard seems like the wrong director to juggle the story's fracture tonal shifts. Vaughn does his usual wiseacre routine as his once sterling career continues on a downward trajectory. The sharp tongued Vaughn of Swingers and Old School fame has disappeared, chipped away after years of doing terrible pictures like Fred Claus, Four Christmases, and Couples Retreat. It would be a safe bet to guess the filmmakers were hoping to get Jon Favreau for the Kevin James role or at least try to capture some of that same chemistry. They don't as James is given little to do beyond being the typical schlubby guy.

Beyond the basic comedic trappings, the movie takes a few vain stabs at lowbrow, Apatow-esque humor with Queen Latifah's character. She delivers bawdy lines about "lady wood" and having sex with people's words and it all feels completely forced and unfunny. The Dilemma also veers into slapstick when Ronny attempts to confront Geneva's boytoy, who is known simply as Zip. The chaotic scene culminates in Ronny threatening to burn Zip's apartment building down with a makeshift flamethrower made from an aerosol can. As the loverboy, Tatum is surprisingly funny in lampooning his own meathead persona. You know your movie is in trouble when the best thing in it is Channing Tatum. Jennifer Connelly is also excellent as Ronny's girlfriend, Beth. She lends an additional layer of gravitas to every scene she's in and is way better than this movie deserves. It helps that she looks insanely gorgeous too. Never has a Chicago Cubs shirt looked better than it does on Jennifer Connelly. Perhaps, she did the role as payment for Howard and producer Brian Grazer for helping her net that Oscar for A Beautiful Mind.

Rating: * (*****)

Up in the Air

Up in the Air - Dir. Jason Reitman (2009)


”To know me is to fly with me.”

Up in the Air finds itself soaring onto numerous year-end lists as one of the best films of 2009. Does the film deserve to maintain such high altitude? Will I stop using these lame airline puns? The answer to both is yes.

Based on the best-selling novel by Walter Kim, Jason Reitman and co-writer Sheldon Turner have transformed Kim’s skewed take on the corporate world into a low-key dramedy firmly entrenched in today’s economic climate. George Clooney is Ryan Bingham who fires people for a living. Contracted by a company based in Omaha, Bingham flies around the country firing employees when their boss is too chickenshit to it themselves. He never says the word, “fired,” though. Not even, “released,” “terminated,” or “let go.” He simply tells them their “position is no longer available.” As a part-time motivational speaker, Bingham feels he’s helping these people start a new page in their lives.

As for Bingham’s own life, he has no attachments. He rents a sparse, one bedroom apartment which he almost never occupies. He has two sisters that he hardly ever sees. No, his entire life is lived in VIP airport lounges, business class flights, and hotel suites. While in mid-flight, a stewardess asks him, ”Where do you live?”. Bingham answers simply, ”Here.” His main goal is to become one of only seven human beings on the planet to earn 10 million frequent flyer miles. On his travels, he meets Alex (Vera Farmiga) who shares his affinity for elite status. The pair bond over how sexy they find each others’ membership cards. Neither views their relationship as anything substantial, simply an escape.

Bingham’s blissful status quo is disrupted with the arrival of young upstart Natalie Keener (Anna Kendrick) who plans on making the impersonal even more impersonal. Natalie intends to implement teleconferencing technology in the termination process. Now, you can hire someone to fire your employees through a TV. Bingham is eventually coerced into taking Natalie on the road with him to see how everything is done. Natalie is given a new perspective once it’s given a human face while flabbergasted at Bingham’s cavalier attitude towards personal relationships.

As a modern day Cary Grant, Clooney excels at playing the charming cad with a gift for gab. That talent is display here in a muted fashion mixed with the same world weariness of Michael Clayton. Clooney’s performance truly draws you into the journey of the character, a journey that doesn’t end as you’d expect. Reitman wisely chooses to avoid the easy way out by avoiding a pat, sentimental ending. Instead, the third act climax takes a decidedly left turn, ending the film in an ambiguous manner reflecting the uncertainty of today. Reitman adds an extra layer of resonance by casting real people who have lost their jobs as Bingham’s victims.

As a filmmaker, Jason Reitman has already won me over with his first two films, Thank You For Smoking and Juno. However, Up in the Air is his finest film yet and firm evidence of an assured writer/director whose talents have fully matured.

Rating: ****