Is there a genre more asinine than the modern romantic comedy? I don't have anything against the rom-com in general; I just have an aversion to the copious amounts of crap churned out by studio execs and filmmakers who seem to construct from a stock set of elements. Going the Distance attempts to change up the staid formula while still incorporating frequent clichés with an Apatow-style sense of lowbrow humor.
Justin Long is Garrett, a low-level talent scout for a rinky dink record label in New York City. He's just been dumped by his girlfriend (Leighton Meester) and decides to go out on the town with his buddies Box (Jason Sudeikis) and Dan (It's Always Sunny in Philadelphia's Charlie Day). He meets Erin (Drew Barrymore), an aspiring journalist, over a game of Centipede. She wants to keep the relationship light because she's only in the city temporarily as a summer intern for the fictional New York Sentinel. However, Garrett doesn’t want to end things so quickly even after Erin has takes a job in San Francisco. The young lovers attempt to make it work long distance via text messages, Skype, and a very awkward session of phone sex. The usual insecurities and frustrations begin creeping in to threaten their relationship.
Going the Distance is the first produced script by Geoff LaTulippe who wrote it after learning of producer Dave Neustadter's own long distance relationship. LaTulippe tries to address the poor economy with Erin and Garrett unable to scrap the funds to fly out to see each other while working in dying industries. The film also marks the first narrative picture from documentarian Nanette Burstein who directed The Kid Stays in the Picture and American Teen. For the most part, Burstein's direction is perfectly pedestrian though it didn't need to be anything more. Some shots during a dating montage do have a documentary feel turning the audience into mere observers.
Some think that real-life couples don't translate well to the screen, but Long and Barrymore have good chemistry together. Both play characters that are merely extensions of themselves and their previous characters, Long as the wise-cracking geek and Barrymore as the free-spirit. Christina Applegate brings the funny as Erin's overprotective sister with the understated and dry wit of Jim Gaffigan as her husband.
At the very least, Going the Distance avoids the usual contrivances that come up as setbacks. One's uptight, one's spontaneous. How will it ever work out? Yet, the movie is still cluttered with the ubiquitous detritus that comes with your average romantic comedy. There's the obligatory airport scene where the man rushes through the terminal to catch his lady love although, this one takes place at the end of the first act rather than the climax. Sudeikis and Day fulfill the roles of the protagonist's wacky best friends. The humor fails to elicit anything as slight as a chuckle or a smirk. There's a labored slapstick sequence involving Long at a tanning salon, a gag that was already done on Friends years ago. The film gets worse with a scene where Applegate picks pubic hair off her dining room table after a late-night session of sex by Erin & Garrett. Just when you think they couldn't sink any lower, here comes the Hitler joke.
Going the Distance is leaps and bounds above god-awful atrocities like The Ugly Truth and Did You Hear About the Morgans? thanks to a pair of likeable leads. But, it fails to place them in anything that is remotely interesting or humorous.
Rating: * ½
