Showing posts with label Lucy Punch. Show all posts
Showing posts with label Lucy Punch. Show all posts

Friday, December 17, 2010

You Will Meet a Tall Dark Stranger

You Will Meet a Tall Dark Stranger - Dir. Woody Allen (2010)


"Life's but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more: it is a tale told by an idiot, full of sound and fury, signifying nothing." - William Shakespeare, Macbeth.

Woody Allen's latest picture opens with a reworking of that same Shakespearean quote. Knowing Allen, the irony was most definitely not lost on him. You Will Meet a Tall Dark Stranger is full of sound and fury, but ultimately amounts to nothing.

Tall Dark Stranger features an ensemble of A-list actors who likely signed on so they can finally say they starred in a Woody Allen movie. The glue that holds the cast together is Gemma Jones as Helena, who has just suffered a devastating divorce from her long-time husband, Alfie (Anthony Hopkins). In her despair, Helena seeks guidance from a dime store fortune teller named Cristal (Pauline Collins). Helena's daughter, Sally (Naomi Watts), knows Cristal is an obvious fraud, but any comfort mother finds is good enough. Alfie, meanwhile, has fallen for a ditzy blond named Charmaine (Lucy Punch), who is a third of his age and works as a call girl.

Sally's marriage is also on the rocks. Her husband and Allen analogue, Roy (Josh Brolin), had a hit novel and struggles to write a follow up. He is forced to work as a limo driver to pay bills. Roy finds his spirits lifted by the beautiful Dia (Freida Pinto), who lives in an adjacent apartment building. Sally gets a new job as the assistant to a successful art dealer played by Antonio Banderas. Of course, she is smitten by him because he's Antonio freakin' Banderas. Allen's screenplay bobs and weaves through the multiple relationships as fickle lovers make their ultimate decisions about who to be with. Eventually, nearly everyone is miserable with their choices in life. Then, just when you think the movie is about to really get going, it abruptly ends as if Allen finally fizzled out and decided to just go home.

Though it's a drama with light comic overtones, Tall Dark Stranger is all about pessimism. However, Allen never reaches the farcical levels of fatalism that the Coen Brothers achieved in A Serious Man. All Allen manages to achieve is a middling sense of cynicism. Gone are the films full of wit and insightful observations about love and life. This is a film that seems cobbled together from a recycling bin left overflowing by refuse from the cutting room floor. These are stock characters wandering about in a London rendered completely indistinct by a director seemingly content to coast on his reputation.

At 75, Allen continues to plug away with a new film released each year. Perhaps, his prolific body of work is its own worst enemy. Anything new of Allen's will immediately be compared to classics such as Annie Hall or Hannah and Her Sisters. Alas, his recent movies will always fall short. Aside from Match Point, none of his new stuff has been particularly spellbinding. Even passable fare like Vicky Christina Barcelona couldn't live up to the expectations that come from the name Woody Allen. If it had been directed by someone else, it might have been more highly regarded. No such arguments will occur with You Will Meet a Tall Dark Stranger, it would have been bad no matter who was behind the camera.

Rating: * ½ (*****)

Monday, September 6, 2010

Dinner For Schmucks

Dinner For Schmucks - Dir. Jay Roach (2010)


Dinner For Schmucks is a remake of a 1998 French film entitled, Le Dinner de Cons (The Dinner Game), from writer/director Francis Veber who also penned the script for La Cage aux Folles. The latter picture was also remade with Robin Williams and Gene Hackman as The Birdcage.

Jay Roach, who also directed the Austin Powers and Meet the Parents films, brings decidedly American sensibilities to this comedy of class wars.

Tim Conrad (Paul Rudd) is a mid-level executive at investment firm Fender Financial. He wows his boss Lance Fender (Bruce Greenwood) by facilitating a multi-million dollar deal with wealthy Swiss business Martin Mueller (David Walliams). Tim is in line for a promotion, but only after he attends a dinner party with the company heads in which they invite idiots to make fun of them. Tim is appalled at first until he literally runs into life-long goofus, Barry Speck (Steve Carell). A desk drone at the IRS, Barry collects dead mice to use in intricate dioramas, recreating classic works of art like “The Last Supper” and Edvard Munch’s “The Scream.”

Barry arrives at Tim’s apartment a day early and in a matter of hours has turned his life upside-down. Barry single-handedly manages to injure Tim’s back, wreck the place, sabotage his relationship with girlfriend Julie (Stephanie Szostak), and invites in Tim’s mentally unstable ex Darla (Lucy Punch).

This is the third pairing for Rudd and Carell following Anchorman and The 40-Year Old Virgin. Rudd’s deadpan delivery plays well against Carell’s manic and obliviously moronic Barry who is like Michael Scott with the volume turned up to eleven. However, the character feels labored with the movie trying way too hard to wring comedy out of something so thin. Rudd is still likeable enough that you don’t feel he truly deserves to be in the eye of Hurricane Barry. The movie only truly picks up when we finally get to the dinner where we meet idiots like a blind fencing champion, a man with epic facial hair, and a ventriloquist married to his dummy, all of whom lead a revolt against their bourgeois tormentors.

Dinner For Schmucks winds up being an uneven comedy when it should have been a riotous farce. The film manages to be saved by two incredibly funny performances from Zach Galifianakis as a self-professed psychic and Flight of the Conchords’ Jemaine Clement as a pretentious artist fond of dressing up as a satyr.

Rating: **