Showing posts with label Clive Owen. Show all posts
Showing posts with label Clive Owen. Show all posts

Sunday, January 8, 2012

Killer Elite

Killer Elite - Dir. Gary McKendry (2011)


The 80's were a wonderful time for action movies. Arnold, Sly, and Bruce Willis ruled the silver screen with Chuck Norris, Jean-Claude Van Damme, and Steven Seagal close behind them. For a while, it seemed as if those larger-than-life, macho movie heroes fell out of favor. Arnold went into politics, Sly's career derailed, and Norris became a Texas Ranger on TV while Seagal and Van Damme faded into direct-to-video obscurity. Only Willis managed a diversified oeuvre taking roles in pictures like Pulp Fiction and The Sixth Sense. Today, the one person who has been able to take up the mantle of old school action hero is Jason Statham. He's carved out a comfortable niche as a scruffy, steely-gazed badass in films like The Transporter and The Expendables.

Statham is once again called upon to break necks and cash checks as a hired assassin in Killer Elite. It's a role he's very familiar with having already played a hitman in Crank and The Mechanic. This time around, he's got a fantastic co-star in Robert DeNiro and a pair of tough adversaries in Clive Owen and his moustache.

Killer Elite is not to be confused with 1975's The Killer Elite, another movie about assassins that was directed by Sam Peckinpah. This Killer Elite is loosely based on The Feather Men, a 1991 novel by Sir Ranulph Fiennes that is purported to be a recounting of true events, which were largely debunked as pure fabrication. Despite the controversy, Killer Elite still advertises itself as "Based on a true story."

The film cleverly begins with a title stating that the story is set during a time of political instability and economic turmoil. No, it's not today, but 1980. Statham is Danny Bryce, a hitman on assignment in Mexico with his long-time friend and mentor Hunter (DeNiro), Davies (Dominic Purcell), and Meier (Aden Young), an expert in explosives and mechanics. A routine hit almost turns tragic when Danny inadvertently kills the target right in front of his young son. Danny decides to give up the game and retires to a quiet farmhouse in the Australian countryside with his girlfriend Anne (Yvonne Strahovski).

A year later, Danny is called back into action when Hunter is captured by Sheikh Amr (Rodney Afif), a deposed Omani ruler living in exile. Three of the Sheikh's sons were killed by soldiers in the British SAS during the Dhofar Rebellion. Danny must track down the murderers, tape their confessions, and make their deaths look like accident. In doing so, Danny will secure the release of Hunter and be paid a sum of $6 million. Reuniting with Davies and Meier, Danny finds their first target, Sgt. Steven Harris (Lachy Hulme), still living in Oman. However, their not-too-subtle search catches the attentions of ex-SAS officer Spike Logan (Clive Owen), who is employed by the Feather Men, a secretive conclave of former SAS men turned semi-legitimate businessmen.

As evidenced by the use of "Rock You Like a Hurricane" in the trailers, Killer Elite is meant to be something of a throwback to the 80's action movies, but with a modern touch. Director Gary McKendry, in his feature-length debut, goes for a toned-down Paul Greengrass-style approach. The action sequences are done at a frenetic pace with quick cuts and a lot of camera movement, but never descend into a nauseating mess.

Fans of Jason Statham will be pleased as he gets to do a little bit of everything. He's leaping across rooftops and getting into fistfights, shootouts, and car chases. He also has some decent scenes with DeNiro, even if their lines don't sparkle off the page. While any DeNiro is good DeNiro, you can't help but feel that the legendary actor is slumming here. Owen acts as a fine foil for Statham in a showdown of the British tough guys. Just like Danny, Spike isn't an out and out villain though his moral compass points towards a grey area. He also sports a cheesy moustache, yet it doesn't compare to the walrus 'stache and bushy sideburns worn by Dominic Purcell.

What drags Killer Elite down isn't the direction or the cast, but the run-of-the-mill script by Matt Sherring. The dialogue is full of manly clichés like, "This ends today," and "The rules? There are no rules." Sherring also offers up some interesting ideas, but doesn't have the wherewithal to follow through. The Feather Men might have made cool villains, except they are virtually dropped from the story by the third act. One of the challenges faced by Danny is to get confessions from battle hardened soldiers trained to withstand various methods of torture, but those moments are glossed over with each man readily admitting their guilt. A romantic subplot is also thrown in because the rules of formulaic storytelling require one. While it's nice to hear the lovely Yvonne Strahovski (from NBC's Chuck) speak with her native Aussie accent, she's absolutely wasted as the girl who pines for her man whenever he's away.

Killer Elite is a generically staged and below average action film. It never elicits an ounce of excitement despite the presence of three talented and convincing leads.

Rating: * ½ (*****)

Monday, March 23, 2009

Duplicity

Duplicity - Dir. Tony Gilroy (2009)


Michael Clayton was on my top ten list of best films for 2007. It’s a movie that gets better with each viewing. I was looking forward to writer/director Tony Gilroy’s follow-up though I was taken aback by the first trailer. I thought it was going to be a dark thriller cut from the same cloth as Clayton, instead it was a frothy Ocean’s Eleven-type film. Duplicity is part romantic comedy, part heist film and tries to be a little too clever for its own good.

Clive Owen is MI-6 agent, Ray Koval, who picks up a beautiful woman at the US Consulate in Dubai. That woman turns out to be Claire Stenwick, a CIA agent who drugs Ray and steals secret documents from him. They run into each other years later, now working on rival sides of a corporate espionage death match. Claire works for Burkett-Randall, headed up by CEO Howard Tully (Tom Wilkinson), while Ray is part of a security team for Equikrom under the auspices of CEO Richard Garsik (Paul Giamatti). Both corporations have been trying to steal sensitive information for each other and it only intensifies when Tully announces he is ready to roll out a revolutionary new product. We learn Claire is actually working as a mole for Equikrom and, not only that, she and Ray are looking to double-cross everybody to cash in on the secret product for themselves. That’s only the beginning of the twists and turns of Duplicity.

I’m all for twisty storylines as long as they are properly set up and make sense. Gilroy doesn’t so much set us up as he drops the twists right into our laps. It’s difficult to become invested in the plot when the rug keeps getting pulled from under us. The true appeal of the film is watching the movie stars act like movie stars. Clive Owen is always in a well-tailored suit and Julia Roberts (at 41) looks the best in her career and shows cleavage on an Erin Brockovich level. They meet each other for clandestine affairs in Rome, the Bahamas, and even Cleveland (where Owen has a funny dialogue about frozen pizza). Gilroy goes for a classic Hollywood feel to their relationship, something on par with Cary Grant and Audrey Hepburn. Though they have chemistry, they aren’t lighting up the screen as much as you’d want.

Duplicity begins on a high note with some clever use of split-screens and a slow motion slap fest between Wilkinson and Giamatti. The rest of the film doesn’t live up to the promise shown by the excellent opening sequences. It’s worth a rent if you’re in the mood for some lightweight fluff.

Rating: ** 1/2

Monday, February 23, 2009

The International

The International - Dir. Tom Tykwer (2009)


For a guy who didn’t want to play James Bond, Clive Owen has carved a niche for himself playing Bond-like characters. Here, Owen plays Louis Salinger, a former Scotland Yard detective turned Interpol desk jockey. He teams with Eleanor Whitman (Naomi Watts), a Manhattan district attorney, in an effort to bring down the IBBC, a massive banking conglomerate who deal in a number of illicit activities, including assassinations and illegal arms deals.

The International is an uneven hybrid of the 70’s politically-charged thriller and the hyperkinetic, globe-trotting Bourne franchise, replete with a rooftop chase through Istanbul. The film begins very much like The Parallax View with Owen in the Warren Beatty role. However, earlier cuts of the film met with negative responses from test audiences resulting in reshoots to turn it into more of an action flick. This resulted in The International’s ironically timed release in the midst of our post-Madoff economical shit storm era. The film itself is far too bland and clichéd to be of great interest. Clive Owen can pretty much sleepwalk through these stoic, tough guy roles while Naomi Watts makes no impact at all as the token female lead. All the villains in the movie are evil businessmen with well-tailored suits and funny accents.

There’s really only one reason to see The International and that is a 15 minute shootout inside the spiraling ramps of the Guggenheim in New York. While it may have looked like they riddled the real Guggenheim with more holes than the plot, production designers built a perfect replica on a soundstage in Berlin and shot it all to Hell. Director Tom Tykwer really shows off his incredible sense of style in the staging of this exciting set piece, even if he hasn’t been able to follow up Run, Lola, Run. The Guggenheim shootout is the type of set piece you wish John Woo was directing, instead of dicking around with stinkers like Windtalkers and Payback. It’s too bad the big gunfight isn’t the end to the film. It comes at about the halfway point and its all downhill from there with an anti-climatic resolution.

Rating: **

Monday, April 21, 2008

Elizabeth: The Golden Age

Elizabeth: The Golden Age - Dir. Shekhar Kapur (2007)

Obnoxiously, overproduced costume drama.

Cate Blanchett is loud and bombastic which is perfect for this loud and bombastic picture.

Tuesday, April 15, 2008

Shoot 'Em Up

Shoot 'Em Up - Dir. Michael Davis (2007)

R-rated, live-action Looney Tunes chock full of blood, bullets, and boobs.

John Woo without the pathos. It's Gun-Fu not nearly as majestic or operatic as Woo's "heroic bloodshed" films.