Tuesday, January 13, 2015

Tusk

Tusk - Dir. Kevin Smith (2014)


"I don't want to die in Canada."

Kevin Smith made his mark as a writer/director of low-budget comedies riddled with potty words and pop culture references. He ventured away from stoner humor with Red State, a slipshod thriller about three teenagers held prisoner by a group of religious extremists. Red State wasn't a total success though it felt like the furthest thing from a Kevin Smith movie. Afterwards, Smith announced his retirement from filmmaking to focus on his podcast network. He would continue to tell stories without worrying about financing, studio heads, or box office receipts. Ironically, it was podcasting that reinvigorated Smith's love for movies.

On an episode of Smodcast, Smith and co-host/producer Scott Mosier became fascinated by an online post advertising room & board in exchange for the prospective lodger occasionally wearing a walrus costume. The two proceeded to plot out a Human Centipede-style horror flick about a maniac sewing another human being into a walrus suit. Smith took to Twitter to gauge interest and his followers responded with a resounding, "#WalrusYes." And Tusk was born.

Justin Long stars as Wallace Bryton, the host of the Not-See Party podcast, a show in which he and best friend Teddy Craft (Haley Joel Osment) poke fun at the latest internet sensations. Wallace embarks on a trip to Manitoba a kid who became a YouTube star after accidentally slicing his own leg off with a samurai sword. The boy eventually commits due to all the unwanted attention while Wallace only laments that he'll have to find get some other "Canadian weirdo" for the show.

Discovering a strange handbill, Wallace drives into the wilderness to the mansion of an eccentric hermit named Howard Howe (Michael Parks). Howe regales Wallace with tales of meeting Ernest Hemingway and being stranded in shark infested waters during WWII before being rescued by a gentle walrus. It's a monologue reminiscent of Robert Shaw's Indianapolis scene in Jaws, a long-time favorite of Smith. Wallace realizes too late that Howe has drugged his tea. This is the first step in the horrifying process to transform him into a human walrus.

At first blush, the concept doesn't seem like something that would spring from the mind of Kevin Smith. What happens to poor Wallace is gruesome and bizarre, almost in the vein of Cronenbergian body horror. By his own admission, Smith isn't a visual filmmaker. His preference is two people talking about comic books or Star Wars. That's indicative of Tusk though Smith still manages to set the eerie mood when he's not distracted by little narrative detours.

Long excels as the obnoxious Wallace and he serves as an excellent counterpoint to the bizarre antics of Michael Parks. Parks turns in a tour de force as the insane Howard Howe. Smith's gift for gab provides a cornucopia for Parks to feast on as he launches into mesmerizing monologues about his tortured backstory. At times, his speeches come off as glorified Wikipedia articles, but Parks is so entertaining that he makes every single word count. The story gets progressively more horrific and Smith wisely tries to balance the darkness with light humor.

Tusk is steeped in Smith's unwavering fascination with our neighbors in the Great White North. Of course, there are the usual gags about Canadian speak ("aboot," "eh") and how nice they all are. Also livening things up are a pair of sarcastic girls both named Colleen (Harley Quinn Smith & Lily-Rose Depp) who work in a convenience store and share a general disdain for Americans. Not only are they the female Dante and Randall, but Smith was inspired enough by their performances to give them their own spin-off, Yoga Hosers.

These cute asides don't always land. Just when you're getting into the interactions of Wallace and Howe, Smith pulls you away for one of many tangents. The worst offender is Guy LaPointe, a dogged detective from Quebec who has spent years hunting Howe. Johnny Depp provides an uncredited cameo as LaPointe and it's completely in line with some of his zanier roles. Hidden behind make-up and a thick Quebecois accent, LaPointe is a cartoon character and he receives a lot of screen time in the second half of the movie. Although Depp is amusing in the role, his presence serves as a detriment to the characters of Teddy and Wallace's girlfriend Ally (Genesis Rodriguez). Neither of them is given ample opportunity to grow beyond the functionary roles of sidekick and love interest. It's doubly problematic because Rodriguez gets to show off the acting chops she never got to in forgettable fare such as Man on a Ledge and The Last Stand.

Tusk is a bold and ballsy experiment from Kevin Smith that never finds the right balance between gothic horror and outrageous humor. Still, it's worth a look due to the indelible performances by Michael Parks and Johnny Depp.


Rating: ** ½ (*****)

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