Showing posts with label Neveldine/Taylor. Show all posts
Showing posts with label Neveldine/Taylor. Show all posts

Sunday, February 19, 2012

Ghost Rider: Spirit of Vengeance

Ghost Rider: Spirit of Vengeance - Dirs. Mark Neveldine & Brian Taylor (2012)


Ghost Rider isn't one of Marvel's most well-known characters, but he is one of the coolest looking ones. Inspired by the popularity of Evel Knievel, Ghost Rider was created in 1972 as stunt rider Johnny Blaze, who is transformed into a fiery spirit of vengeance after making a pact with the devil to save the life of his mentor. During the grim and gritty era of the early-90's, the Rider was remade into a spiky leather wearing biker named Danny Ketch. The original Ghost Rider film featured a combination of both characters as played by the shamanic assassin of acting Nicolas Cage. You'd think it would be difficult to screw up a movie about a flaming skeleton on a badass motorcycle, but somehow Sony did thanks in part to the pedestrian direction of Mark Steven Johnson. The bane of comic book fans everywhere, Johnson also wrote and directed the poorly received Daredevil.

Ghost Rider: Spirit of Vengeance is Sony's attempt at a mulligan, dusting off an old script by David S. Goyer. Part reboot/part sequel, Spirit of Vengeance glances over the Rider's origins and is connected only tangentially to the original picture. Cage is back as Johnny Blaze, who has been living a nomadic existence in Eastern Europe. He is roped into protecting Nadya (Violante Placido) and her son Danny (Fergus Riordan), who turns out to be the spawn of Satan himself. Comic readers know that the Marvel version of the devil is Mephisto, played in the first Ghost Rider by Peter Fonda. Here, it's Ciarán Hinds in the role and he's simply known as Roark.

Roark needs the boy for a ritual that will allow him to walk unfettered on Earth. To defeat Ghost Rider and capture Danny, Roark transforms a nasty mercenary named Carrigan (Johnny Whitworth) into a creature fans know as Blackout. In his new form, Carrigan looks like a member of the Edgar Winter Group and has the power to sap light around his victims and decay anything he touches. Well, anything except a Twinkie and steering wheels because he still has no problems driving.

The first Ghost Rider was a slick looking blockbuster, but suffered from unimaginative action sequences. These problems should have been corrected since the sequel has the directing duo of Neveldine/Taylor behind the wheel. The filmmakers behind the Crank series utilized adrenaline junkie techniques during the shooting of Spirit of Vengeance. They bungee jumped off rooftops and performed handheld shots on rollerblades. Somehow, their set pieces aren't any more exciting than those of the previous movie or of any other generic action film playing on late night cable. It's mostly Ghost Rider whipping his chain around and burning armies of henchmen into ash. Only rarely do Neveldine/Taylor inject a bit of excitement into Spirit of Vengeance. There's a cool shot of Idris Elba flying backwards in slow motion off a cliff side while firing his shotgun and a sequence where Ghost Rider turns a gigantic construction machine into a demonic engine of death. Neveldine/Taylor also utilize some cool effects for Carrigan's blackout powers by switching to a distorted fish eye lens. They never make the most of the exotic locations either. The film was shot on location in Turkey and Romania where the setting could have lent a classic Italian Giallo flavor to the proceedings. Instead, Neveldine/Taylor shoot in such a manner that Spirit of Vengeance looks like a cheap Sci-Fi Channel movie-of-the-week.

The special effects used to create Ghost Rider have improved. He's grimier with a smoked out skull and a charred leather jacket. He's less intimidating the second time around. This is mostly due to Cage's motion capture work as he decided to have the Rider sway back and forth as if he were at a Bauhaus concert. Also missing is the Penance Stare, Ghost Rider's ability to turn his victims into a desiccated husk by forcing them to feel the pain they've caused a hundredfold. Johnson used fire and brimstone to capture the Penance Stare. Neveldine/Taylor just have Ghost Rider stare lovingly into the eyes of his enemies.

Cage fails to bring the Rider's alter-ego to life too. At least, he was eating jelly beans from a martini glass and listening to the Carpenters before. Here, he's just plain old Nic Cage and not maniacally hammy Nic Cage. His unique acting style can work if fired with precision like a hollow point bullet through a high caliber sniper rifle. So far, the only auteur to truly harness the frenzy of Nic Cage is Werner Herzog. Neveldine/Taylor surprisingly keep Cage tightly on a leash. There's no sign of the cartoony Cage that has become popular YouTube fodder ("Not the bees!"). The one time he does freak out is during an interrogation scene where Blaze threatens to release the Rider.

Picking up the slack in the ham department is Ciarán Hinds, who realizes how ridiculous it all is and plays it accordingly. Criminally underused is comic book mainstay Idris Elba as Moreau, a hard-drinking French priest, who mostly serves to spout exposition at convenient moments. There's also Christopher Lambert as a tattooed, sword-wielding monk and Buffy alumnus Anthony Stewart Head as another monk.

Was I expecting a masterpiece from Spirit of Vengeance? No. At the very least, I hoped for something similar to Punisher: War Zone, where the sequel upped the action and stood as an enjoyable B-movie. Unfortunately, there's nothing here, except a thin, poorly conceived plot that barely covers the scant eighty-plus minute run time.

Rating: * (*****)

Sunday, September 13, 2009

Gamer

Gamer - Dir. Neveldine/Taylor (2009)


The purveyors of punk cinema and anarchic action, the duo known as Neveldine/Taylor wrote and directed Crank and Crank 2: High Voltage, two of my favorite guilty pleasures. Over-the-top, cartoonish, vulgar, and sophomoric, the Crank films were infused by video game conventions and sold like crack to today’s Red Bull generation. Neveldine/Taylor continues their brand of video game-infused cinema with Gamer, a film that acts as an updated version of The Running Man.

At some nebulous point in the future, mega-billionaire Ken Castle (Michael C. Hall) develops a form of nanotechnology that allows one person to control another via the internet. Castle initially uses this new tech for Society, think The Sims with real people. Here, folks are dressed in neon day-glo pimp raver fetish gear and forced to copulate, drug themselves, and laugh off grievous injury. Castle’s next big hit is Slayers, where Death Row inmates can win their chance at freedom by competing in a real life first-person shooter.

The biggest star of Slayers is Kable (Gerard Butler taking on the Jason Statham role) who is only three games away from becoming a free man. Kable’s only thoughts are for his wife Angie (Amber Valleta), a reluctant cast member of Society, and their daughter who was put into foster care. Of course, forces are working against Kable to prevent him from winning the game, not the least of which is Kable’s whiny rich boy controller.

Crank has all the trademarks of Neveldine and Taylor’s sledgehammer sense of plot. There’s the morbidly obese pervert who controls Angie in Society while dipping his foot in greasy vats of maple syrup. There’s Hall’s evil tycoon character whose acts of malevolence include world domination, a bad country fried southern accent, and wearing loafers without socks. The world of Slayers looks like a futuristic combination of Saving Private Ryan and Call of Duty while the action is shot with the usual handheld cameras and rapid-fire edits. However, Gamer has none of the breakneck energy of the Crank films. Neveldine & Taylor attempt to get more serious with Gamer by attempting to slow the pace and pile on the social commentary. The attempt falls flat on its face. It’s hard to take a dramatic turn when you’ve got Michael C. Hall leading a gang of goons in a song-and-dance number set to Sammy Davis Jr.’s “I’ve Got You Under My Skin.”

Gamer gathers together a strong cast with some surprising faces filling out the supporting cast. Neveldine and Taylor score their second failure in being unable to utilize any of them properly. Alison Lohman, hot off her lead role in Drag Me to Hell, appears oh so briefly as a member of a revolutionary hacker group. Zoe Bell pops in as a fellow Slayer only to get her head blown off a minute later. You’d figure if someone were to cast actors like Kyra Sedgwick or Heroes’ Milo Ventimiglia, they’d have them do something of note.

Gamer pales in comparison to District 9. It suffers from a poorly thought-out story full of bland action that builds to an incredibly anti-climactic ending. Sorry, but that dream match between King Leonidas and Dexter didn’t live up to expectations.

Rating: * ½

Wednesday, May 6, 2009

Crank: High Voltage

Crank: High Voltage - Dirs. Neveldine/Taylor (2009)


He was dead…but then he got better.

Mark Neveldine and Brian Taylor will never be confused with other dynamic directorial duos like the Coen Brothers. The films of Neveldine/Taylor are for the generation who shotgun Red Bulls for all-night sessions of Grand Theft Auto. The trash cinema tag team made their debuts with Crank, the closest a movie has ever come to being a live-action adaptation of a video game. Though it wasn’t based on any existing game, it unashamedly basked in the conventions of ultra-violent shooters and low-grade action flicks. Their next film, Gamer, appears to be a flawless fusion of the genres. The sequel to their first movie, Crank: High Voltage, provides more of the same.

The ever-grimacing Jason Statham returns as hitman Chev Chelios. In the first film, he was poisoned by Chinese gangsters and had to keep his adrenaline pumping in order to stave off the effects of the drugs. Chelios caused all kinds of mayhem and ran afoul of the Chinese, Latino gangbangers, and L.A. law enforcement. Despite falling out of a helicopter at the end of the original, someone apparently hit the continue button and Chelios is back. This time around, black marketers are planning on harvesting his organs and replaced his heart with an artificial one to keep him alive. Chelios breaks out and must keep his new ticker electrically charged. This means smashing people in the face while hooking jumper cables to his nipples. He even attempts to dry hump an old lady to cause static electricity.

Those of you expecting a subtle, heartwarming night at the movies must have wandered into the wrong theater. Crank: High Voltage is an assault on the senses with its hyperkinetic camerawork and whiplash style editing. There’s tons of nudity including a shootout in a strip club. One dancer gets shot in the implants causing them to ooze silicone. We also get an extended rapid-fire sex scene between Statham and Amy Smart (as Chelios’s girlfriend Eve) in the middle of a horse racetrack. An attempted girl-on-girl sex scene tells you exactly the audience they’re going for. Throw in a Godzilla-inspired Kaiju battle and this Crank sequel is the perfect fix for any pop culture junkie.

Though Crank: High Voltage can be a fun, no-holds barred action picture, it can also be unbearably embarrassing. Neveldine and Taylor obviously have a shallow bag of tricks and they dip into the same gags over and over again. Multiple characters are struck in the groin on numerous, painful occasions. A member of the supporting cast suffers from full body Tourette’s syndrome and goes into convulsions out of nowhere. These bits are mildly amusing at first, but get annoying when repeated ad nauseum. To top things off, Bai Ling (as a ‘Me so horny’ hooker) and David Carradine (as an old Chinese crime boss) play roles so stereotypical that they set Asians back by a hundred years. Mickey Rooney in Breakfast at Tiffany’s was far kinder to the image of Asians everywhere.

I’ll give Neveldine/Taylor credit for going straight for the jugular with their Crank films. They won’t win any awards with high society, but if you’re looking for a pure, unadulterated B-movie experience you can’t go wrong with a Crank double feature. Statham may not be the most multi-faceted actor, but he excels in these roles as unstoppable ass kicker.

Crank: High Voltage is also packed with cameos galore including former Spice Girl Geri Halliwell as Chev’s mother, Lauren Holly as a horny psychiatrist, a sleazy looking Corey Haim (with mullet), and porn stars Ron Jeremy and Jenna Haze. Not that I’d know who those are…

Rating: **