One Day - Dir. Lone Scherfig (2011)
Love stories don't always have happy endings. That's certainly true in movies as many tragic romances have gone down in cinematic history. Sometimes tragedy strikes as in the case of Love Story where a pining Ryan O'Neal falls head over heels for a terminally ill Ali McGraw. Then, there are films like Casablanca and Brief Encounter where the protagonists ultimately don't end up together. One Day is a little bit of both. Boy meets girl. They hem and haw for years and just when you think they might find happiness, it winds up being a conclusion a little more bittersweet than expected.
Novelist David Nicholls adapted the screenplay for One Day based on his 2009 novel of the same name. The story begins on July 15, 1988 during the graduation of Dexter Mayhew (Jim Sturgess) and Emma Morley (Anne Hathaway) from the University of Edinburgh. Dex is a smooth and handsome lad from a well-to-do family while Emma isn't quite as posh. She wears floral print dresses with black boots and completes the coffee house chic personality by listening to Tracy Chapman. She undoubtedly has Lisa Loeb and the Indigo Girls in her collection. Despite their differences, they spend the night together. While the attraction is obvious, Dex and Emma decide to remain friends. From then on, the film drops the audience into their lives on the anniversary of their first meeting.
As the years progress, the handsome Dex climbs the ladder of success as a famous television personality. When he's not interviewing celebrities, he's bedding a variety of vapid beauties. Meanwhile, Emma is stuck in a dead-end waitressing job at a Mexican restaurant and begins a relationship with the awkward Ian (Rafe Spall), a wannabe stand-up comic who isn't very funny. Time marches on and Dex's career begins crumbling as he falls deeper into his addictions to drug and alcohol. Meanwhile, Emma goes from being a teacher to living in France as a successful writer of children's books. During these scenes, Hathaway sports a short hairdo and a pair of big sunglasses that make her look like Audrey Hepburn. Throughout it all, Dex and Emma's friendship remains as turbulent as their personal lives as they hug and laugh then fight and cry.
Director Lone Scherfig is no stranger to love stories. Her debut picture, Italian for Beginners, is easily the most accessible entry in the Dogme 95 movement and her most successful work, An Education, probably won't get many viewings on Valentine's Day. Scherfig directs One Day with a sure hand and crafts a gorgeous looking movie with help from cinematographer Benoit Delhomme, who also shot The Proposition and Tsai Ming-liang's What Time Is It There? But, the impeccable visuals cannot cover up the lack of compelling characters and thin narrative.
The gimmick of the plot revolving around a specific day makes for an intriguing concept. It's one that has the potential to lift One Day above the treacle that the Hollywood rom-com machine generally churns out. However, the concept never amounts to anything significant and makes the entire effort feel like a warmed over When Harry Met Sally. Part of the problem is that there is never a clear obstacle in the way of their romance. Dex and Emma aren't separated by an insurmountable distance or societal morays. They just don't admit their feelings for one another. The longer this goes on, the more annoying they become and the less invested we become in seeing them get together.
Much has been made in other reviews about Anne Hathaway's British accent. It's stronger than the shakier attempts of Natalie Portman or Renee Zellweger, but it's not the least bit convincing. It is obvious Hathaway was chosen over an English actress for her marketability. Rafe Spall, the son of Timothy Spall, has some good moments as the sweet-natured and nebbish Ian. There are also good performances from Ken Stott and Patricia Clarkson as Dex's parents, even if they have limited screen time.
One Day may appeal to deeply romantic souls, but this cold-hearted critic found it to be a shallow and sappy experience. This is a film about pretty, yet empty-headed, people and filled with weak attempts at witty banter.
Rating: * ½ (*****)
Showing posts with label Jim Sturgess. Show all posts
Showing posts with label Jim Sturgess. Show all posts
Saturday, December 10, 2011
Friday, October 1, 2010
Legend of the Guardians
Legend of the Guardians: The Owls of Ga'Hoole - Dir. Zack Snyder (2010)
Legend of the Guardians could be considered Watership Down with owls instead of rabbits. Though it may be an animated film with talking animals, it's hardly a shiny happy movie for kids. Guardians is a little darker and a little more violent than your normal children's fare.
Soren (Jim Sturgess) and Kludd (Ryan Kwanten) are brothers still learning how to fly. Kludd is jealous of the attention his family heaps on Soren, an idealistic dreamer fascinated with bedtime stories about the heroic Guardians of Ga'Hoole. After falling out of their tree one night, the brothers are snatched away and press-ganged into the army of Metalbeak (Joel Edgerton) and his queen Nyra (Helen Mirren). Calling themselves the Pure Ones, Metalbeak and Nyra ready their forces to attack other owl kingdoms to weed out the weak. In addition to their soldiers, the Pure Ones have slaves called pickers whose task is to gather large amounts of metal flecks. When accumulated, they generate a magnetic field that interferes with an owl's ability to fly.
Soren and an Elf Owl named Gylfie (Emily Barclay) manage to escape and traverse long, arduous distances to seek out the legendary Guardians who live in an ancient, Avatar-looking tree. After finding the Guardians, Soren is taken under the wing (pun slightly intended) of a grizzled old war veteran voiced by Geoffrey Rush. Meanwhile, Kludd willingly chooses to stay with Nyra, becoming a loyal warrior to their supremacist cause.
Guardians is based off the first three volumes of the fifteen book series, Guardians of Ga'Hoole, written by Kathryn Lasky. The film was directed by Zack Snyder and it is both his first animated movie and his first non-R-rated picture. Guardians is packed with the Snyder's trademark flourishes, mainly slow motion shots. Similar looking owls swoop at one another like WWII fighter planes. The slow motion actually helps since the action tend to look like undulating blobs of feathers. Despite that, the animation by Animal Logic (Happy Feet) is well done and the images are breathtaking.
Snyder's production is strong in visuals, but weak in story. The plot is a Cliff Notes version of the familiar hero's journey seen in countless other adventures. Snyder's desire for a darker film doesn't mesh with the studio's desire for a more family friendly tone. Serious themes of enslavement and genetic cleansing clash with scenes featuring comic relief sidekicks. Guardians simply lacks the deeper emotional resonance that Pixar has been able to capture time and time again.
Rating: * ½
Legend of the Guardians could be considered Watership Down with owls instead of rabbits. Though it may be an animated film with talking animals, it's hardly a shiny happy movie for kids. Guardians is a little darker and a little more violent than your normal children's fare.
Soren (Jim Sturgess) and Kludd (Ryan Kwanten) are brothers still learning how to fly. Kludd is jealous of the attention his family heaps on Soren, an idealistic dreamer fascinated with bedtime stories about the heroic Guardians of Ga'Hoole. After falling out of their tree one night, the brothers are snatched away and press-ganged into the army of Metalbeak (Joel Edgerton) and his queen Nyra (Helen Mirren). Calling themselves the Pure Ones, Metalbeak and Nyra ready their forces to attack other owl kingdoms to weed out the weak. In addition to their soldiers, the Pure Ones have slaves called pickers whose task is to gather large amounts of metal flecks. When accumulated, they generate a magnetic field that interferes with an owl's ability to fly.
Soren and an Elf Owl named Gylfie (Emily Barclay) manage to escape and traverse long, arduous distances to seek out the legendary Guardians who live in an ancient, Avatar-looking tree. After finding the Guardians, Soren is taken under the wing (pun slightly intended) of a grizzled old war veteran voiced by Geoffrey Rush. Meanwhile, Kludd willingly chooses to stay with Nyra, becoming a loyal warrior to their supremacist cause.
Guardians is based off the first three volumes of the fifteen book series, Guardians of Ga'Hoole, written by Kathryn Lasky. The film was directed by Zack Snyder and it is both his first animated movie and his first non-R-rated picture. Guardians is packed with the Snyder's trademark flourishes, mainly slow motion shots. Similar looking owls swoop at one another like WWII fighter planes. The slow motion actually helps since the action tend to look like undulating blobs of feathers. Despite that, the animation by Animal Logic (Happy Feet) is well done and the images are breathtaking.
Snyder's production is strong in visuals, but weak in story. The plot is a Cliff Notes version of the familiar hero's journey seen in countless other adventures. Snyder's desire for a darker film doesn't mesh with the studio's desire for a more family friendly tone. Serious themes of enslavement and genetic cleansing clash with scenes featuring comic relief sidekicks. Guardians simply lacks the deeper emotional resonance that Pixar has been able to capture time and time again.
Rating: * ½
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