Edge of Tomorrow - Dir. Doug Liman (2014)
Live. Die. Repeat.
If you ever thought Groundhog
Day would be infinitely improved if it had explosions, robotic mech suits,
aliens, and a massive body count, then Edge
of Tomorrow is the movie for you. The latest action opus starring Tom Cruise
was based on the novel All You Need Is
Kill by Hiroshi Sakurazaka, which was also adapted into a manga by Viz
Media.
The Earth has been invaded by an alien race known as the
Mimics. Nearly the entire continent of Europe has fallen to the relentless
extraterrestrials. The United Defense Forces hope they will be able to turn the
tide with new high-tech exoskeletons. Major William Cage (Cruise) is a
glorified publicist for the military. His job is to sell the war and boost
enlistment numbers. However, he's never been in combat and when General Brigham
(Brendan Gleeson) orders him to the combat zone, Cage attempts to blackmail his
way out. Brigham has him arrested, stripped of his rank, and labeled a
deserter.
Sent to the frontlines in Normandy, Cage is exposed to the
blood of an Alpha Mimic and gains the ability to reset time. Whenever he dies,
he goes back to the morning when he awakens at the forward operating base in
Heathrow. Of course, nobody will believe him with the exception of Sgt. Rita
Vrataski (Emily Blunt), alternately nicknamed the "Angel of Verdun"
and the "Full Metal Bitch. Vrataski has become the face of the military
propaganda after leading the human forces to their first victory against the
Mimics. As it turns out, Vrataski had temporal powers too, which were lost
following a blood transfusion.
Edge of Tomorrow
might be the best video game movie ever made that's not actually based on a
video game. The screenplay by Jez and John-Henry Butterworth (with a rewrite by
Christopher McQuarrie) plays with video game conventions by allowing their protagonist
to respawn and begin the level all over again. This allows Cage to train
indefinitely under the tutelage of Vrataski. He attempts to survive while
saving his fellow troops through trial and error, memorizing situations and
enemy movements. Despite some sequences being repeated, the movie never feels
repetitive. The filmmakers find unique methods to double back over specific
scenes to convey new information or show it from a different perspective. They
are able to keep the audience on their toes by keeping them guessing as to
whether or not Cage has done this a hundred times or just once.
The budding relationship between Cage and Vrataski serves as
the heart of the film, a love story that doesn't fall into the standard issue clichés.
They share a bond due to circumstances only the two of them could understand,
the burden of dying and watching others die countless times. Vrataski is one of
the best female characters to be featured in a major blockbuster in a long
while. Emily Blunt is more than up to the task to simultaneously portray fierce
and vulnerable, not to mention she's drop dead gorgeous. Meanwhile, Cage fits
into the two personas that Cruise has excelled at for decades. Cruise isn't
ashamed to start Cage as a smarmy and cowardly individual. This is the smirking,
cocksure pretty boy we've seen before in Top
Gun, Rain Man, The Color of Money, and many more. With
Vrataski's help, he transforms into the steely action hero from Mission: Impossible and Jack Reacher. While the supporting cast
has a few colorful characters, only Bill Paxton's Master Sgt. Farell stands
out. He's a good ol' boy from Kentucky with a sharp tongue and little patience
for shirkers.
Doug Liman cut his teeth on low-budget comedies Swingers and Go, before emerging as an incredible action director with The Bourne Identity and Mr. and Mrs. Smith. Unfortunately,
production problems on those pictures along with the failure of Jumper left Liman struggling to hit a
home run. He does so with Edge of
Tomorrow, which he'll follow up with a big-budget version of Splinter Cell. Liman's direction is
energetic and enhanced by the gritty cinematography of Oscar winner Dion Beebe.
There's a clear homage to Saving Private
Ryan with the chaotic invasion of Normandy and it's no coincidence the
movie was released on the battle's 70th anniversary. Aliens is briefly referenced when Farell
and his J Squad are surrounded by blips that happen to be coming from
underneath their position. The digital effects are realistically rendered and
the Mimic designed as undulating masses of tendrils ala the squiddies from The Matrix Reloaded.
There's a surprising layer of humor to Edge of Tomorrow that adds to the overall experience. Cruise
becomes a human Wile E. Coyote as the film finds interesting ways for him to
die. At one point, Cage tries to roll away only to be crushed by a passing
truck. When he suffers a debilitating injury, Vrataski casually puts him out of
his misery with a bullet to the head.
Edge of Tomorrow
is easily the best blockbuster to emerge during this summer's always crowded
marketplace. There's action, drama, and comedy built around two stellar
performances from Cruise and Blunt. It's a shame the movie hasn't gained any
traction at the box office likely due to the general public being burnt out on
Tom Cruise. Or maybe it's the generic title, which sounds like the name of a
daytime soap. Edge of Tomorrow
deserves to be seen by a wider audience.
Rating: **** (*****)
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